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Venice Film Awards
  • HOME
  • TROPHY
  • INTERVIEWS & REVIEWS
  • WINNERS
    • September 2025
    • August 2025
    • July 2025
    • June 2025
    • May 2025
    • April 2025
    • March 2025
    • February 2025
    • January 2025
    • December 2024
    • November 2024
    • October 2024
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    • August 2024
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    • November 2023
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    • July 2023
    • July 2023
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    • 2022
  • SCREENINGS
  • ABOUT
    • Categories
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    • About us
    • Contact

Regina Mckee Redwing - INTERVIEW

Regina started out in the land of the first light... Iroquois land in the USA. My family moved to Los Angeles where I began my career as the next Shirley Temple. I enjoyed dancing ballet, which eventually led to life of sports and modeling. I started acting in local theater and realized I had a gift for stage managing too, which led to the world of production. I've been blessed to be successful on both sides of the camera and can't wait to see my own Sci-fi Thriller script become a hit feature film.

Do you prefer Comedy or Drama?


I definitely prefer drama more.


Life imitates Art or Art imitates Life?


Art imitates life.


Which is the best Moment on set?


When you're in the moment so much, you're no longer thinking as yourself, you are the character. And the lines and the movements, everything just flow out of you.

Did anyone ever tell you weren't good enough?


They didn't have to tell me, I knew it. I was a ballet dancer auditioning for a jazz musical, and I was so out of step it was almost like a slapstick comedy. Kicked one person here, kicked another person there... Grabbed my bag and slinked out of the door. All good.


How can you stay focused on your goal?


Never believe you're too old, never believe the opportunities will never come to you, believe that you are on the right track and timing is always going to be on your side. If you have to you will reinvent the freaking wheel.


Have you ever had a breakdown because of your Job?


There was a time when I was a production office coordinator working for Disney, on a movie called Dinosaur. We were relocated for 4 weeks to the swamps of Florida in the summer. I went through three pas, and the last one had a car accident while trying to deliver food to the set. Sadly I had to tell her, get the food out of your car first and get it to a set and then go home. 


Talent is a blessing or a curse?


For me it's a blessing. I am blessed to be athletic, and graceful, to have dance ballet, I've stunt doubled, I've played Storm the superhero and stage managed a special event with Shaq. I've worked in radio on Casey's top 40 and now I'm going to get my script produced as a feature film.


What would you like to improve about yourself as an

actor/director/screenplayer?


For most of my work as a producer for our Black Triumph Productions, I am the first to say that we need to replace someone. I believe I need to be more patient, and allow some actors to progress into a role at their own speed. If we have the time!


What's the worst critic you have received?


A friend once told me that I'd never be a successful model because my features weren't streamlined enough. I suddenly felt like I needed to change my face. Whereas I was always proud of my black American Indian heritage. The realistically, we're all beautiful and everyone is welcome at the table.


If you weren't an actor/director/screenplayer what would you like to be?


I think I would have happily stayed a ballet dancer. Doing the same thing over and over again and working on total perfection.  

If Cinema was a color what would it be?


Electric blue! Or maybe the color of the Northern lights!


A day without a movie is...


Without entertainment. I watch them as much as I can to see what I could do differently, or what works and what doesn't work.


If someone offered you to play/direct/write in/a movie that you despice but that for sure will make you rich and famous...would you accept the job?


Yes. Unless it was going to be harmful to people or cause harm to any particular group. I would not want to be associated with something that caused pain or inflicted pain on others.


What's your greatest ambition?


To show that age is just a number. No one needs to know my age, but hopefully they see a strong, confidence, woman of mixed race with silver hair and a winning smile who can play a real badass! 


What's your biggest fear?


I don't want my friends and I to run out of time and putting up our projects and getting them produced for the masses.


Does music helps you to play/direct, write?


Most definitely! I'll hear a song and it will help me create a moment for something that I want to write or that I want to see on the screen. Ie. Slipping Into Darkness! 


You have the chance to make a Silent movie, what's your message to the audience?


That no matter how it seems it's all going to be okay. I hate watching a movie for 2 or 3 hours and find out they killed off the lead person!


Share your speech if you should win an Oscar...


This is for all the people who never had a chance to make it. This is for the people who struggled, and created and stop believing in themselves, or stopped believing in miracles. Your angels all have your back if you let them. 

The New Immigrants - Hong Kongers - REVIEW

Manchester here we come!


Vivian Tsang shows the real life of people who left Hong Kong for Manchester, a town so different from the Chinese metropolis that it can almost seem like another small world.


A drastic change followed by new sensations, new knowledges, new habits and a totally new way of seeing and living life.


Tsang's direction is fluid and the narrative smooth and familiar.

A short film that in its simplicity manages to touch important chords and make us empathize with the courageous protagonists of this documentary. 


The New Immigrants - Hong Kongers: A small film made of great people and great choices.

Bippy the Little Robot - review

Hope will never die as long as someone keep on living.


In the midst of rubble and destruction, among collapsed buildings and stacked cars, a tin heart still beats.
It's Bippy, an adorable little robot who survived an apocalypse that has eradicated every form of human life.


But Bippy knows no fear, and in company of a mechanical cat and a music box it ventures into this desolate land in search of...


Bippy the little Robot written, directed and produced by the talented Glenna Burmer - also composer - is a small visual masterpiece where the power of music reanimates objects and rekindles the desire to return to life.

A  return to the beauty of being in the world despite this bleeding, disintegrated world  needs to be redone.


The animation, the cinematography and the editing are just perfect; the visual effects bring us in this lonely yet fascinating atmosphere where everything can happen.


 A film that aims to be a message of love, of hope, of courage, ...despite all the bad, despite all the tragedy.

Keep your Secret! - review

Redemption has never been so charming...


It's incredible that a sweet and apparently harmless name like Lilith carries countless legends and meanings that almost always identify her with a ruthless she-demon.


It is certainly not a coincidence that Lilith - despite her  seductive appearance - is the name of the centenarian protagonist of Keep Your Secret!, the gripping screenplay written by the talented Kristina Schippling, multiple award-winning filmmaker, author and academic from Berlin.


But who is Lilith in this story?


Fascinating, disturbing, sociable...Lilith knows how to attract men and women, knows what to say and how to say it to conquer somebody that she needs to accomplish her very specific plan... no matter if the plan includes the murder of innocent newborns.


After dying during childbirth in the eighteenth century, Lilith  was in fact transformed into a vampire by Lord Baphomet and thus condemned her to a life of damnation and solitude. 


Only the sacrifice of a child born from a mother who bears the marks of Christ on her skin will be able to free her from the curse that afflicts her. This frantic search will lead her to meet Mary in a bar, then her boyfriend Elias and their nice friend Linus. Thanks to her persuasive skills, Lilith will be invited to spend the weekend in their company, and it will be right during this short stay that her diabolical plan will begin. 


Mary is pregnant and Lilith absolutely needs that child... will she succeed in her horrible aspiration?


An extremely smooth and exciting screenplay, that despite the scary and dramatic plot, got the rhythm of a good dark comedy. The characters are well written and it is not difficult to clearly imagine the setting, both past and present.


Blood, kisses, cheating and superpowers are the fundamental ingredients of this exciting story that must be read...in a bite!


The production team consists of several established filmmakers from both the independent scene and the film funding sector. Kristina Schippling (director/producer) and Ezra Tsegaye (co-director/producer) form the core team of the ongoing feature film production. They jointly developed the plot, and Kristina Schippling wrote the screenplay. Both are also responsible for cinematography and editing. The broader core team includes producers Christopher Cornelsen and Michael Paul Aust. 

Michael Paul Aust has been active in the film industry for more than 25 years and has (co-)produced 19 feature films, including world-renowned classics such as „101 Reykjavik“. Christopher Cornelsen is also a well-established producer, having won the Student Academy Award in 2007 for „Nimmermehr“. His current feature film „Imposters and Ponies“ was presented at the Internationale Hofer Filmtage. For Ezra Tsegaye, this is the third feature-length film he has directed. His last feature, „Monster on a Plane“ (world premiere at the Brussels International Fantastic Film Festival (BIFFF) was also screened at Sitges Festival Internacional de Cinema Fantàstic de Catalunya and recieved an award for Best special effects - Horrorant Filmfestival and so on) was also produced by Christopher Cornelsen and is currently touring film festivals. 


While Michael P. Aust and Christopher Cornelsen are primarily known for producing narrative and documentary films in the tradition of German auteur cinema, Ezra Tsegaye specializes in genre films, particularly horror. Kristina Schippling, on the other hand, has directed and produced several art films, video art pieces, arthouse, and experimental films, including the performance-based feature-length film „Ungleich“. She also directed and shot the feature-length documentary „The Sound of Cologne“ with Michael Aust as her producer (world premiere at the Filmfestival Cologne, screening at In-Edit International Music Documentary Film Festival Netherlands; Jecheon International Music Film Festival; AIFF Athens International Film Festival; DokStation Music Documentary Film Festival and so on). 


The energetic production team is further complemented by additional co-producers and associate producers. The film spans a broad spectrum, bridging Kristina Schippling's experimental filmmaking style with Ezra Tsegaye's focus on classic horror genre cinema, promising audiences an exciting feature film.


The film also boasts a strong cast in the leading roles. The role of Linus is played by the famous actor and model Arne-Carlos Böttcher. Interestingly, Kristina Schippling cast the blonde and captivating Isabel Dornheim, a fascinating newcomer, as the vampire lady. The role of Mary, embodying Christian traits and the stigmata of a saint, is portrayed by the Indian beauty Anamika Datta. This casting choice deliberately breaks stereotypes. The casting of the boys (Arne-Carlos Böttcher and Anton Feiste) in the leading roles is equally well-matched to their characters.


The convincing production team and the multi-layered and thrilling script as well as the fantastic cast mean that we can expect an extraordinary feature film!

Asherah's colors - review

When art, color and feelings mix together to give life to a film.


Asherah's colors, a short film written and directed by Gary Mazeffa, combines romance with the fatality of encounters. 

A flirtation, perhaps love at first sight, influences the life of the shy Raphael (Connor Tuohy) who, to impress the beautiful Asherah (Shira Behore) -  a lover of art and those who create art - invites her to immerse herself in a world full of colors.


Opposites attract, chemistry, passion. 


Asherah's enthusiasm and joy de vivre inspires Raphael and encourages him to bring out the most beautiful part of himself.

The dream's girl, the ideal evening, the jokes, the glances...the blossoming of a love.


Every moment is directed with sensitivity and delicacy, like a tempera brushstroke on a white canvas; and interpreted with feeling and spontaneity. Admirable and noteworthy is the presence of the impressionist artist Hessam Abrishami - in the role of himself - who manages to exude emotions  with his paintings.


A film that reaches the heart because it is made with the heart and with all the nuances of love.

NORWAY - REVIEW

Cinema can make you travel just like a book.


And Norway, directed and narrated by Erik Jacobsen is a short documentary that seems a magic postcard capable of transporting you directly on the Hurtigruten line.


The cruise departs from Bergen where a parade in honor of Labor Day prepares us for an immersion in the past, a fascinating journey through time on board one of the most iconic vessels of the world.


In just 18 minutes of documentary, in addition to the majestic landscape, we are able to splendidly admire all the small towns that we find along the coast, villages that seem to have remained crystallized in the past and colored houses that seem to have come out of those Christmas glass balls that we adored as children; accustomed to the city smog, the confusion, the multitude of people crowding the streets every day, it is almost natural to wonder  what it would be like to live in such a fairy-tale place, where life flows peacefully and uncontaminated.

Along the route we can admire all the enchanting variety of landscapes and the hypnotic cold light of the north.


We go from snow-capped peaks, to green hills, from impetuous currents, to the glacial calm of the fjords: everything is simply and majestically wonderful.


The show, however, is not only "visual".


In fact, there is a way to relive ancient traditions and customs: typical viking feasts, dances and songs that act as a suggestive Time Machine.


With this documentary shot with so much passion and attention to details, Erik Jacobsen gives us  not only a film where you can breathe adventure and light-heartedness, but a precious virtual ticket to travel with him.

Poetry Against the End of the World - REVIEW

Let's say it loud and clear: Dylan Brody is the voice that we need to hear at least once a day, he is the wise figure we would like to have in our life, he is the free spirit guy we would like to travel with.


He's cool, and he knows it. He's fun and he proves it.

But most of all is fearless to say what he thinks and this is the most beautiful and rebellious thing to be in a society where it has become really difficult to freely express one's idea and personality.


Poetry Against the End of the World written, directed and of course performed by Dylan Brody - award-winning author, humorist and comedian - is  an interesting and fascinating rumination that addresses multiple and current themes but above all  is an incitement to live in the present and to let one's light shine in order to contribute to the improvement of this current world we inhabit.

Voice, face and musician (his guitar accompanies us like a good friend) of this experimental film or, as he defines it, "video chapbook"  Brody ranges from one topic to another with irony and sarcasm which distinguish him and which rightly make him one of the best America's  raccanteurs.


The captivating and sagacious style with which he exposes his thoughts, perplexities and ideas leads to a profound reflection albeit lightly; he talks about what we were and what we have become, about the world as it was and how we are finding it nowadays; he suggest how people should face life to avoid being crushed by modern times, modern solitudes and modern conflicts.


A beautiful experiment made of words, poetry, rhymes and images that teaches us to look at life from a more human, more sensitive, more generous perspective.

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