ANATOLII TARABRIN-INTERVIEW

When did you realised you wanted to be a Filmmaker\Actor\Writer?

That was more than 15 years ago. My first education was as a stage director. I graduated from the Academy of Cinema at the age of 22. But fate decreed that I went to work not by profession. And only now, already in adulthood, I realized that filmmaking is exactly what I have always dreamed of doing in life. Usually all serious decisions come to us already at a conscious age when we have a lot of life experience behind us. That's exactly what happened to me.

Do you remember your first time at the Movies?



Of course, I don't remember my first trip to the cinema. But I always remember the emotions that visit me after watching a good and touching movie in the cinema. Every trip to the cinema is an immersion into a world that does not exist. Into a world where you can be anyone and imagine yourself in the place of anyone. Cinema teaches us a lot. It teaches love, compassion, and most importantly teaches you to dream.

If you should change country where would you like to work?



Of course in Hollywood. I will never forget my first emotions when I found myself on a tour of Hollywood film studios. I was filled with such delight and such a rush to create something new and extraordinary that I could not sleep for several months. I sat and imagined how I would work here. how I would like to buy coffee in a cafe that on the contrary communicated with colleagues and the team on the site. I think it's a real dream for any filmmaker to get into Hollywood.

Two films that have marked your life for better or for worse…

I like very heavy and difficult films. Films with deep meaning. One of these films after which my life has definitely changed a lot is the film "Dogville" by Lars von Trier. I don't want to be a spoiler and reveal the plot of this movie to those who haven't seen it. Because it seems to me that everyone should watch this movie. Look to understand the power of society and the influence of the people around us on ourselves. But it was an example of a heavy film. If it's easy, then it's a "Green Book". I myself really like jokes in my life and make jokes at everyone. But in this film there is a great story, accurate and such a strong humor of the main characters and, of course, a story about how, despite any obstacles and difficulties, you need to go forward to your goal. Even if a small hare moves through a whole field of evil wolves ready to devour it.

What do you think about Acting/ filmmaking schools?Have you ever hated your ambition?



A very difficult topic for me. The fact is that I personally graduated and graduated from 3 different film schools. Somewhere I liked it more, somewhere less. Now in the 21st century, there is a good trend in the world for learning and thanks to modern communications, anyone can find anything and learn about everything. this is definitely good. But still, I would like education to be of better quality and film schools not to multiply like mushrooms in a clearing, but to increase their personal potential and the opportunities that they can pass on to their students. As for ambitions, good and sober ambitions always give an impetus to move forward. It seems to me that any creative person should have strong and firm ambitions. After all, the director who does not dream of getting an Oscar is bad.

Francois Truffaut used to think that "Film Lovers are sick people”… was he right?



I totally agree with that. Now when I look at people who are just coming out on the set and starting their journey, I want to tell them: My God, guys, change your profession! After all, you will not sleep at night, your shooting shifts can last 20 and 30 hours without a break and then again. And so you will be like a squirrel running in its wheel. But on the other hand, I remember myself after shooting each film and understand how wonderful it is to see my finished film that other people are watching. A film that can change the fate of at least one viewer.

Close your eyes…if I say “Cinema” what do you see?



For me, it's a crowd of people on the set. This is a lot of coffee, sleepless nights, waiting for a good take, working with actors, worries and excitement before going out with the editing director.

Who’s the Director\Actor\Writer that taught you the most?



I watch a lot of different movies. And old and still mute and black and white. I can't single out one person. After all, every famous and talented director is a character with a huge inner world. My Favorites are Tarantino, Hitchcock, George Lucas, Friedrich Wilhelm Murnau, Damien Chazelle

About your job, tell us your biggest dream and your worst nightmare…



My biggest dream is to realize everything that is in my head. I write a lot and of course I would like to shoot all my ideas so that the viewer can see them. And the worst nightmare is not to have time to do it or to give up and not do it at all.

How important is to have a good Cinematographic Culture?



cinematic art combines many genres. this is what makes it much more attractive and more accessible to most people on the planet. After all, it is not for nothing that there is a famous phrase "cinema is the most important of all the arts"

What would you like to improve as Filmmaker\Writer?



I would like to improve first of all in the skills of various professions that are present on the site. I believe that a good director should not only understand all the processes, but also know them personally. As a cameraman, as a gaffer, second director, illuminator, actor. When you understand and can independently perform any tasks, you become a person with a huge outlook of thinking. and wordlessly, this is what helps you create real original films.

A big producer give you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)… what film do you choose?



Of course it will be "The passion of Jeanne Dark" is the famous silent French drama of 1928. It's just an incredible movie. Those who watched it couldn't help but admire the amazing Renée Jeanne Falconetti game. I would like to try to repeat this masterpiece in modern cinema.

Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged… who’s the person that keeps you motivated?

I am supported above all by my family and my loved one. I always admire people who can live next to creative people. After all, sometimes there really is a complete creative burnout and support is very important. And of course the most important role in this is played by our beloved people.

Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script".  Do you agree with him?



The script and drama are the basis of everything. not just the movie. even in life there is nothing without a script. everything always has a beginning, a climax and a denouement. The script is the most important thing. nothing will ever work without it. Yes, I completely agree with this statement.

What’s yourmost ambitious project for the future?

I really want to implement one script that I've been writing for about three years. It's a musical. Quite a difficult job, first of all, not because it has a big budget or some action scenes. This work is about the depth of the soul through the life of the hero and his mirror world. In my immediate plans, this is my most ambitious and significant project.

Do you think that sadness or at least melancholy let be more creative?



I think so. Of course, when we experience separation, disappointment or some feelings of mental pain, we are able to create and create very touching things and pictures. When I'm sad, I always write poetry. I don't know how it turns out, but the most nutritious thing for creativity is not mutual love or heartache.

What do you wish to yourself as a Filmmaker\Writer?

I would wish myself not to lose myself and never go off the path that I have made up for myself. So to speak, to go through all this difficult path. After all, it is incredibly difficult for a novice director. You can't even imagine how sometimes you give up and don't want to do this profession anymore. It's very hard to be noticed or heard. But there is no need to stop and you should always go only forward.

Do you prefer Comedy or Drama?


Actually, I like both; but if I really had to choose one, I would choose drama, because drama offers much more than comedy itself; comedy is always funny and entertaining (although sometimes there is a lot of depth there as well), while drama is a great variety of different themes and emotions: it could be merry, sad, bizarre, violent … We can have tears as well as happiness, story itself has a great range of spheres. There are no boundaries in drama.

Life imitates Art or Art imitates Life?

Life is art in a way. Everything we put in art (cinema or literature) are actually pieces from our own lifes, a reminiscence of something that we already saw or experienced. But then again, on the other hand, in the case of cinema there is always a big difference between an art film and realistic one; experienced viewer can immediately separate realism from art. But yes: there is no real life without art as well as there is no art without life itself. Everything is strongly connected.


Which is the best Moment on set?

In my eyes, without exceptions, there is always a moment when I make my very first shot for a new project. Even if this shot is really a short one and is later never edited into a film itself. It offers me great joy, because it is a true trigger to start shooting a new film. This is a unique feeling.

Did anyone ever tell you weren't good enough?

Well, during last years of filmmaking (I am into it since 2005), there surely were some people who didn't like this or that, or what I did in general. But I think every film director faces this kind of stuff, especially in the beginning of his or her film career. So, yes: maybe someone told me that I wasn't good enough, but it had to be long ago … Still, I always knew that one day I will be good and innovative in making films, which means that I have already forgotten this kind of remark.


How can you stay focused on your goal?

It was never a problem for me. If there is a great idea for the script (which I usually get pretty quick, every half a year a new one – that is a curse), than it is the idea itself that gets me motivated, every day and every week, more and more; so staying focused on my goal is really simple.


Have you ever had a breakdown because of your Job?

Yes, many times. Countless times, actually … But it was always because of a job that had nothing to do with film. You see, several decades ago, before I turned all my wishes and plans into the world of film, I used to work in many different categories – as a hotel receptionist, as a tourist guide, as a night watch, for some time even at hospital; there were many ups and downs. But as a filmmaker, making my own films according to my own ideas and scripts – no, I never had a breakdown, luckily. At least not yet.


Talent is a blessing or a curse?

I can only speak for myself. In my case, I would say it is one and the other: I have many ideas for screenplays, which means that I know I will never be able to direct all the projects that I imagined. Many of this projects will remain only on a paper, as scripts … Beacuse you have to be very lucky to get a producer to direct a full feature film; so, you can have your talent and ideas, but to get a support from a true producer or studio is also a lot of luck, and that is a fact. You see, all my projects so far – including »The Conspiracy« and »Art & Joy & Pleasue« – I produced completely myself, which means that I had to use my own budget, from my own pocket. So, if I add other ideas for the future projects, where even greater budget will be needed … Yes, my talent is definitely a blessing and a curse.


What would you like to improve about yourself as an actor/director/screenplayer?

Yes, sure I would like to improve something. First of all, every new project that I make should be different from one before. Secondly, I would like to improve my skills as a writer; I am a writer of novels and short stories, but considering film scripts – which have a different approach than novels in the world of literature – there is still much more to be done.

What's the worst critic you have received?

Actually, it was a pretty bizarre one. Not considering the film itself, nor the story or acting, but simply the requisites and settings. Once after the premiere of an art film, called »Face of Evil« (in 2011), one of the viewers was bothered by the style of a castle, made partly of stones and partly of bricks – it was apparently too much for this person. Funny, really. Still, I have a nice memory today and it still makes me laugh when I think about it. There have also been other critics during last years, but in my eyes, nothing of great importance. Many of these critics were targeting themes I usually use in my films; some people are constantly »nagging« about violence and graphic images of sex, but I guess this is quite normal for many casual or conservative viewers who are not used to this kind of films.

If you weren't an actor/director/screenplayer what would you like to be?


Definitely a painter or photographer. You see, I used to draw a lot as a child, because the world of images was always very important to me. Once an artist, always an artist … I was travelling with my parents (my father was an architect), made many visits to Austria and Italy – especially Tuscany, Venice and Rome – where I gained my love for observing the rich world of architecture. Unfortunately, the drawing talent was lost when I was about 15 years old, maybe also because I simply stopped drawing – I stopped working on myself in this category. The style was very suitable for comic books (even if I was originally influenced by renaissance painters like Paolo Uccello, Sandro Botticelli and Pieter Brueghel), but alas, I never achieved a talent for a true painter – maybe another reason to stop doing that … Well, on the other hand, even today, I am still very much into photography, and I hope I will improve it even more. Most of all I like black and white photography.

If Cinema was a color what would it be?

Don't ask me why, but in my opinion it should be either green or red. Both colours are very strong with unique effect, and they reflect powerful emotions. Indeed, I already made some art films using some special lenses, and I used exactly these two colours. I am really attached to them (red & green), and I still can't explain why exactly.

A day without a movie is...

… severely lost, like a day without food or water. Still, it doesn't mean I watch a movie every single day. But yes, when I have time to watch it I gladly do, usually several movies per week, every day when time allows me to do it, of course.

If someone offered you to play/direct/write in/a movie that you despice
but that for sure will make you rich and famous...would you accept the job?


A tricky question, actually, and that is why I like it. Hm … You see, in the world of cinema it is hard to get a special reputation, to be noted because of a certain style or genre that you make or prefer. Usually, for a film director as an auteur, it takes years to come to that specific point of recognition. And then, suddenly, this very person who is noted because of his different style, directs a film that has nothing to do with his vision – this person utterly destroys his image and losts its fans or followers. In exchange for a lot of money and fame? No. I think (not know for sure) I could not do it. Honestly.


What's your greatest ambition?

To direct several – at least four ar five – full feature films, all of them by my own ideas, imagination and scripts. Hard goal, I know. But yes, this is certainly my greatest ambition.

What's your biggest fear?

Never to achieve my goals in cinema, which means never to get a chance to direct at least one feature film by my own script. That would be a real loss and tragedy for me.

Does music helps you to play/direct, write?

But of course! Music is the main key to all my ideas, to my world of fantasy and drama. So, not just that music helps me to direct, it also produces an idea for a script. You see, in my process of filmmaking, there is always music, in the very first place. When I hear a symphony or a song by a rock or pop band (I posses also many CDs at my home, as an enthusiastic collector), it helps me to get or to improve the idea for the film itself. I hear the music and I see the final images of my film! In many cases these same melodies are used in the project, or I ask the composer to make something really colourful or atmospheric … When I was a child, I used to watch many films with excellent film score, especially with music by John Barry, Ennio Morricone, Angelo Badalamenti, Basil Poledouris or Vangelis. These are still my favourites today. I also like to hear music by Beethoven, Wagner or Händel used in a certain film (Stanley Kubrick, John Boorman or Lars von Trier, they all used classical music in many projects).


You have the chance to make a Silent movie, what's your message to the
audience?


Now this is a really unique question, especially in my case, considering the fact that the majority of my films – or shall I say art/experimental videos – is made totally without words, only accompanied by music. So, in a way, I have already made silent movies. A message to the audience is simple, really: a film without words, only with images and music, is sometimes even stronger than the one with words, because the images and sounds make much stronger atmosphere and sometimes they can also tell even greater story; it also cements something different and notable to stand out, especially in a modern world, where film audience is usually used to dialogues.


Share your speech if you should win an Oscar.....

For me it is hard to imagine to win an Oscar, because art films and films made by »auteurs«, not aiming at ordinary audience, usually don't win many Oscars, if any at all. Still, if this day ever comes, I will probably have to »invent« my speech on the spot. So I can't tell you today how my Oscar speech would look like; it would probably be made by an inspiration of the moment itself.

Do you prefer Comedy or Drama?

As an actor I prefer comedies. As a filmmaker I prefer a good script to tell a great story. As a screenwriter, I am attracted to a story that has a provocative conflict to develop a substantial script. My next work is the feature film "Duzinda", a drama that discusses violence against women, an urgent issue to be discussed all over the world.

Life imitates Art or Art imitates Life?

As Aristotle once said back in ancient Greece, "Art imitates life", but today, with globalization and social networks, the sensibility of the artist with it's own concepts, innovations and thoughts are dictating fashions and behaviors. A movie, a theatrical show, or a successful soap opera may provoke styles such as trends in clothing, haircut, etc...

Which is the best Moment on set?

The one you are shooting the last scene and realize the schedule has been strictly adhered to.

Did anyone ever tell you weren't good enough?

I have never had a negative review, because I am extremely rigorous in my projects, whereas with my team I stimulate extreme debates in the decoupage of the script, preparation, pre-production, shooting, and post-production. In this way we avoid problems, but if it's found, we come up with an adequate solution. I work in a team, but if I need to make a choice, I do it, because I am the director. However, if by chance a critic or a journalist speaks negatively, I respect their opinion and try to understand it. An opinion is an individual view, it's part of the game. But I will be very worried if the public doesn't like it.

How can you stay focused on your goal?

In Brazil we had great setbacks in the arts in general and in special to movies. The military dictatorship (1964 to 1985) with its censorship, prohibiting countless works; the Collor de Mello government (1990 to 1992), closing down EMBRAFILME (Brazilian Fil Company), and during the Jair Bolsonaro government (2019 to 2022) declaring war on culture in general. Recently, despite the pandemic and a strong depression, we managed to overcome the obstacles and make - in the garage of the production company, along with a modicum financial resources - the film "Doctor Hypothesis", which won 42 awards in film festivals around the world, of these, 14 as best leading actor. Also made with a small budget, we produced the DOC "Ayrton Meninices in the Heart of Brazil", about the life of the racing pilot Ayrton Senna from the ages of 7 to 17, which won 53 prizes in film festivals. To conclude the answer to your question, I will borrow a quote from Ayrton Senna: "I stay focused with faith, determination, perseverance, and a lot of desire to achieve my goals. I never measure the pain and sacrifice to achieve victory."

Have you ever had a breakdown because of your Job?

Adrenaline is the tool needed to stimulate creativity and hold the frenetic pace of a set. I always managed to keep everything under control. I never allowed stress to overtake adrenaline.

Talent is a blessing or a curse?

Talent is the ladder to take you to success. Success is a big trap. If you settle for success you will be in the curse zone. I wrote above Ayrton's quote on the subject of winning. You have to make investments, you have to make sacrifices, you have to have humility, maturity and joy on your path. If you have achieved success, be very careful with sycophants and try to be around sincere and true friends. 

What would you like to improve about yourself as an actor/director/screenplayer?

The understanding of conflict to delve into and understand the human soul even more.

What's the worst criticism you have received?

I've never received a crushing criticism. If some day a critic or journalist speaks negatively of my work, I understand that although I write for a media outlet, it is a private opinion. I will be very worried if one day I realize that the public is turning away from my work. Then I will know that I am making a mistake. 

If you weren't an actor/director/screenplayer what would you like to be?

I never saw myself exercising another profession. I started studying law and discovered that my life was in the arts. Gaining this knowledge was extremely important for me to write the script for the documentary "Justice! A History", which tells the history of the judiciary power in Brazil since the arrival of the Portuguese Crown until the 1998 Constitution.

If Cinema was a color what would it be?

I have a particular attraction for B/W. In all my films I manage to find a scene to finish in Black & White.

A day without a movie is...

Very difficult for this to happen, because when I am not writing, preparing projects, producing, directing, I am watching films... But if it happens one day... It will be tedious!

If someone offered you to play/direct/write a movie that you hate, but that is sure to make you rich and famous... would you accept the job?

I try not to use the words "hate" and "detest" in my vocabulary. I think that there can be qualities in every product. My feet are planted in my free imagination.  Creativity has an infinite palette of colors in which we can find ways to transform the lemon into a tasty lemonade. 

What's your greatest ambition?

I don't have giant ambitions (laughs).  I have goals and dreams, which I organize in schedules with planning for execution, and also I look for partners to build on these goals.

What's your biggest fear?

Not waking up smiling on the morrow as I still have so much planned to accomplish.

Does music help you to play/direct, write?

Music helps me to think and solve scenes of difficult architecture. I also need the deep silence to solve these difficulties. 

You have the chance to make a silent film, what is your message to the audience?

I am the second mime in chronological order in Brazilian theater and the most awarded mime in Brazilian history. There are several sources that point to Charles Chaplin's films as the biggest audience ever in the history of cinema, and this is because he used the language of mime which has always been understood by everyone. The message I always try to convey in my films is the eternal human quest for love, despite all conflicts. 

Share your speech if you should win an Oscar.....

I never dreamed of this possibility, but if one day it happens, I will have no speech, only gratitude.

When did you realised you wanted to be a Filmmaker\Actor\Writer?

During the covid pandemic in 2021. I rescued my home movies and my photographs, digitized them and it occurred to me to put together several fragments to visualize the story of my life. I learned editing. A friend who saw the movie invited me to make a movie from a book written by him about the pandemic and I produced it.

Do you remember your first time at the Movies?

Yes, in 1958 I saw the film 20,000 Leagues Under the Sea produced by Walt Disney and based on the book by Jules Verne. Great creativity and imagination.

If you should change country where would you like to work?

India, The culture of India is immense and very old. We find customs, foods, traditions, languages, ceremonies, artistic expressions of millions of different ethnic groups. The Indian film industry is huge as are its productions.

Two films that have marked your life for better or for worse...

Braveheart based on the life of William Wallace starring Mel Gibson in 1995. I am very struck by the decision and insensitivity of King Edward I of England when he orders to send the Irish soldiers to the front instead of using the archers. The arrows were more valuable than the lives of those men.

What do you think about Acting/ filmmaking schools?

I cannot comment, I have never attended one, I am self-taught.

Have you ever hated your ambition?

No, I'm not ambitious at this time in my life, I just try to enjoy what I do.

Francois Truffaut used to think that "Film Lovers are sick people”...was he right?

No, I love movies especially those with historical themes that have helped me a lot to understand human behavior. I like crime films a lot, although I think that a good story made into a movie, whatever the subject, is interesting to me.

Close your eyes...if I say “Cinema” what do you see?

Action, emotions and humanity.

Who’s the Director\Actor\Writer that taught you the most?

None in particular, when I analyze a good film I always learn.

About your job, tell us your biggest dream and your worst

nightmare...

My dream, that my projects are known and help to understand the human condition. My nightmare, stop  producing.

How important is to have a good Cinematographic Culture?

Culture is culture, any activity enriches us when we are interested in getting to know it in depth.

What would you like to improve as a Filmmaker?

My scripts.

A big producer give you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)... what film do you choose?

Alfred Hitchcock's Psycho. With today's technology many things can be achieved. It was shot with a low budget, my productions are very low cost.

Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged... who’s the person that keeps you motivated?

My wife and my children who will be able to see me as many times as they want in my movies.

Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script". Do you agree with him?

It is definitely a challenge to find a good story and a good script, if there is no good raw material there is no good product.

What’s your most ambitious project for the future?

That my "Tell your story" short films be exhibited as a series.

Do you think that sadness or at least melancholy let be more creative?

Not necessarily, although if we add sensitivity and a desire to share, it definitely helps creativity.

What do you wish to yourself as a Filmmaker\Actor \Writer?

Being active, meeting people and being interested in their stories. All people have a story to tell and the vast majority do not tell them, out of fear, pity or not considering it interesting. Trying to find a good story is an important adventure for me.

Do you prefer Comedy or Drama?  

It depends on m mood as I love both.

Life imitates Art or Art imitates Life? 

I think Art imitates Life.

Which is the best Moment on set? 

The first day when everyone meets for perhaps for the first time and th

Did anyone ever tell you weren't good enough? 

No - but someone told me I was too old - which really annoyed me and made me even more determined to make films.

How can you stay focused on your goal? 

By planning ahead.

Have you ever had a breakdown because of your Job? 

Never.

Talent is a blessing or a curse? 

A blessing.

What would you like to improve about yourself as an actor/director/screenplayer? 

To put myself out there more to make more films.

What's the worst critic you have received?  

I was too old to make films.

A day without a movie is... 

A boring day

If someone offered you to play/direct/write in/a movie that you despice but that for sure will make you rich and famous...would you accept the job? 

Never, fame and money is not what life is about.  I think such a decision could cause misery in the future. 

What's your greatest ambition?  

To carry on making films which audiences enjoy.

What's your biggest fear?  

Not being able to make films.

Does music helps you to play/direct, write? 

Sometimes but I also like silent moments, music can be distracting and other times can be a great help.

When did you decide you wanted to be an actor/director/ screenwriter?

I think it was the moment I started to write down some of the scenes and voices that I kept hearing in my head, and which would not go away. I do believe that the way one perceives things determines many things.  For most of my life, I've viewed daily events as though potential scenes from an unscripted movie or film. I don't know why this is the case. Maybe it's because when I was little, the highlight of the week would be when my sister and I were allowed to watch cartoons, and a few select movies on Saturdays. I remember being glued to our old Zenith TV because these were amongst the times, I was able to step into another world, and I was utterly fascinated by this process. It didn’t seem to matter that the television had poor reception and a twisted metal hanger for an antenna. On the weekends my sister and I would also craft makeshift rafts from spare pieces of wood we'd found on the ground from old trees or from wood that someone had thrown away. We'd then explore swamps and other bodies of water with the raft while we imagined having to fight off imaginary dragons or the enormous black water snake that we'd seen from time to time slithering across the surface of the water in a nearby neighbor’s pond. On the days our raft needed too many repairs I was content to just wander around the woods all day pretending to be whatever character I was into at the time either real or imagined. Of course, many kids do this, and it seems quite natural to them, but the difference was that I was still doing it when I was a lot older.  I think experiences like these, in nature, gave me a rich menu to draw from when writing later.

How did your family react?

One of the very great things about my family is that they are always supportive unless someone is going to get hurt. So, I am not sure if they would have supported me (at least initially) if I became a stunt rider and had to jump through rings of fire on a ninja style motorcycle but eventually, they would have probably come around if they saw it made me happy. However, writing scripts is in many ways just an extension of my work as a researcher and a writer.


Do you have a Muse or a Role Model?

There are several people I am very close to that I think of as role models. Other than this, the rest lived hundreds of years ago!


DWho's your biggest fan?

I would have to say it's my family.


What brings you inspiration the most?

Great performances and things that occur in the natural world.

Which actor or director would you like to work with?

There is a director from Rome that I am hoping to work with. She was mentored by Fellini but is in a league of her own. But in general, I would like to work with anyone who can intuit what I am trying to do creatively, appreciate it and then make it better. 



Have you ever seen a film that was better than the book?

I’m sure I have but I don’t remember specific instances. There are many books that would certainly be better as films; and with a great director, almost anything is possible.

What's the movie that taught you the most?

There are several of them but there is one that has stayed with me forever.  Actually, it is the same scene repeated twice and it is from the film: Camille Claudel, played by Isabelle Adjani and directed by Bruno Nuytten.  Camille was Rodin's muse and lover and was sent to him by her father as a young artist to be mentored by him. Rodin did not behave well and so the rest we can figure out. After several twists and turns in the story, Camille has a mental breakdown and gets committed to an asylum which is run by nuns and housed in a convent in France. The scene that haunts me the most depicts a lone tree which is in the center of a courtyard in the asylum Camille was banished to. We see her sitting in the courtyard and just staring at the tree when she was in her early 30’s. And then we see the same scene again, repeated at the end of the film, with her as an old woman.  If I recall correctly the tree had leaves in the first scene and was maybe barren at the end, which of course would have been symbolic of her being in the winter of her life.  Adjani did an amazing job...and the way she could depict this entire somber story world with just her eyes conveying all the emotion has stayed with me. And then there was the simplicity and austerity of the scene itself and the way in which it was filmed. To me that scene is so powerful because it shows how a simple visual can convey the passage of an entire lifetime being spent in the same place. In this case a miserable place for her to be. It was chilling and yet hauntingly beautiful.

About your artistic career, have you ever had the desire to quit everything?

Absolutely and when I get like that, all I want to do is to immerse myself in nature or listen to great music. 

On set what excites you the most?

I am completely new to the film set world but very familiar with the music production world. I would have to say that the adrenaline before a show - especially before a large production - is the most exciting. It's that moment when you know there is no going back and there can't be any mistakes. And this is why I love live music or performances.

And what scares you the most?

If equipment fails during a live show or performance, it can be quite stressful for everyone involved.

What's your next project?

I have been wanting to turn a 12-year research project I've been working on in Italy into a historical series.  The storyline jumps between 92AD and 2015 and the characters from the different eras haunt me and don't seem to let go; many also involve historically important figures and so it has been a fascinating journey.  However, I didn't get very far when I first attempted writing it because the stories that spun off the main story made it so large and layered, that it was hard for me to get control it and I decided to put it aside for a while. Now that I’ve finished Dinner with Dante, I’d like to write a few more short scripts and then return to the series and try to finish it.

You can steal the career of an artist you really admire, who do you choose?

I would love to be soprano Lisette Oropesa for a while (if she wouldn't mind!) but also, be able to go back in time and be Leonardo da Vinci. He was not only a great artist but seemed to have understood the natural world at a very high level. He also appeared to have an incredibly open mind. He was a true singularity and was hundreds of years ahead of his time and in so many areas. But in all honesty, if I could just go back and be his friend it would be enough for me. 

An actor/director/screenwriter is made of....

Flesh + blood + a fountain of passion and creative ideas.

For you Cinema is....

Endless creative possibilities or a symphony that bathes the listener in every possible emotion and truth on screen.

Do you think Black and white movies have a powerful impact?

I think they are some of the most powerful movies in the world and will probably always be. 

Have you ever dreamed of winning an Oscar?

I can't say I have but I have hoped, like every writer or artist, to have people appreciate my work because this is enough for me.

Do you think you're gonna win it?

Well, if I can borrow from the popular 1930's radio show, only the shadow knows!

Do you prefer Comedy or Drama? 

I prefer Drama, but I like both.Inways they can be intertwined as there can be comedic moments in Drama and drama moments in Comedy!

Life imitates Art or Art imitates Life?

Art imitates Life and nature around us. And Life imitates Art as we get touched and inspired by it.

Which is the best Moment on set?

The collective creative effort of actors and everyone involved in the process to bring a story to life!

Did anyone ever tell you weren't good enough?

No. I was blessed to have received many compliments and positive words of encouragement along the way, such as "you're very talented!", "You've touched me in that scene.", "I definitely could relate to the story.", "I love your writing style!", "I would love to work with you!", "You're amazing!" ...

How can you stay focused on your goal?

By setting priorities and time on your schedule to work on things towards your goal.By taking small achievable steps not to be overwhelmed by the big picture.

Have you ever had a breakdown because of your Job?

No. but I have seen people around me experience that; a true heartbreak.

Talent is a blessing or a curse?

Talent is always a blessing as it is a wonderful opportunity to be able to share your talent and gifts with others.

What would you like to improve about yourself as an actor/director/screenplayer?

As an actress, director and screenplay writer, I continue working on my craft by taking master classes with the best on the field and reading books on the subject.

What's the worst critic you have received?

I can't remember one. But I take a critic's comment in a positive light, as a way to improve and grow.

If you weren't an actor/director/screenplayer what would you like to be? 

I don't have a plan B, as I love what I do and I do it for the love of it!

If Cinema was a color what would it be?

The multi colors of the sky ... blue with clouds, yellow sunrises, orange red sundowns,grey stormy sky, black nights with brilliant diamonds stars shining up above and ever changing canvas! Just like cinema, it is rich in colors and emotions that touch our hearts.

A day without a movie is...

a missing opportunity to experience and connect with other human characters just like us.

If someone offered you to play/direct/write in/a movie that you despise but that for sure will make you rich and famous...would you accept the job?

I would not accept it. I believe one should work on something that they are passionate about; not work on something just to be rich and famous, that should not be the goal.

What's your greatest ambition?

To be a writer that encourages and touches people's lives in a positive way to create new hope for a better tomorrow.

What's your biggest fear?

War and destruction.

Does music help you to play/direct, write?

Yes, I love music! It elevates all emotions and it touches the heart.

You have the chance to make a Silent movie, what's your message to the audience?

"It is a brand new day with endless possibilities!"

Share your speech if you should win an Oscar.....

"I would like to thank God and my parents up above, this one's for you! Thanks to the Academy of Motion Pictures for the privilege to be included amongst this group of very talented Stars that I've watched and admired for Years. Thank you to my colleagues and friends and everyone that supported me on my journey! This is to prove never give up on your dreams!"

When did you decide you wanted to be a director?

During my undergrad, I worked on a couple student narrative films as a Director of Photography, and I loved the collaborate process working to bring the stories to life. However, my passion was really in documentary filmmaking. As I had no leads on a documentary I could join as a DP, I talked with my business partner about reviving a docu-series we produced on YouTube in 2015. He loved the idea, so we reworked the original idea and applied a lot of the knowledge I had gained at university to this new endeavor. The only way for it to work was with me at the helm, so I decided to dive fully into directing and I’ve loved it ever since. However, I do still love the random shoots where I’m an AC and have no responsibility other than camera stuff. Sometimes you need a break from all of the thinking and just need to get your hands dirty working. 

How did your family react?

I think they’re still very surprised that I’ve somehow landed where I’m at. When I was younger, I didn’t have any aspirations of being involved in film in any capacity. To now be directing and producing an award winning docu-series, sometimes I can’t believe it myself. 

Do you have a Muse or a Role Model?

Every interview I’m asked to partake in, I feel like this answer changes. Sometimes I feel like the documentaries Zak Bagans produces would make him a role model, other times I feel like it’s anything Josh Gates touches. For the most part, my muse is consistently the paranormal or other dark themes that relate to it. 

Who's your biggest fan?

The easy answer is my mom, she likes all of the posts I share. Outside of my family, I wouldn’t know. I have a lot of friends that are crazy supportive of us, but I feel like I couldn’t put the badge of “biggest fan” on any of them without offending the others. Although, anyone that wants a picture with me would definitely be pretty high on the list!

What brings you inspiration the most?

My friends succeeding. I have a lot of friends who produce their own content and when they succeed, it inspires me to succeed too. 

Which actor or director would you like to work with?

This is a touch question because I mostly do documentary stuff, but if I could work with Josh Gates on something I’d be blown away.

Have you ever seen a film that was better than the book?

Not off the top of my head. Books are written with expositions that don’t always come across well in film, so the writers have to come up with creative ways to cover the content without disrupting the flow of the story. Even some of the best film adaptations, such as the LOTR series, ends up missing out on key details that the audience either has to know already or look up elsewhere. 

What's the movie that taught you the most?

None that I can think of. Josh Gates had a few shows that I learned structure from, I would venture to say that is as close as it gets for me. 

About your artistic career, have you ever had the desire to quit everything?

All the time. There are slumps in editing where I just can’t get the vision right and I feel like I’m going through the motions. Sometimes it takes a month to get through that, and all I can do is just hang out and hope that my patience wins in the end. 

On set what excites you the most?

The one-hour setup before everyone arrives. It’s just me and the location, with all of the gear, trying to put together the best plan I can from the production notes I have scribbled down somewhere. Turning what was an empty room into a film set and seeing everyone look at it and go… “yeah, I see the vision now.”

And what scares you the most ?

Storage issues. In the blink of an eye, months of work can be gone in an instant with no chance of recovery. 

What's your next project?

We have to finish season 3 of Expedition Entity still, one more episode to film. Then over the summer I have two documentaries to edit, which the first of the two to come out will be titled Haunted or Not. 

You can steal the career of an artist you really admire, who do you choose?

Josh Gates, sorry buddy… I’m coming for you. 

A director is made of...

Crippling anxiety, insomnia, and the drive to do better the next time around. 

For you Cinema is....

An escape. Sometimes things in our lives just aren’t going well and escaping to another world, even for an hour or two, can be enough to get through it. 

Do you think Black and white movies have a powerful impact?

I wouldn’t say an impact, but they have their place. I think if done correctly, such as Sin City with the splashes of color, black and white filming can fit a niche that people are looking for. 

Have you ever dreamed of winning an Oscar?

I haven’t. I don’t get super excited about winning awards, so going through the whole song and dance isn’t as appealing for me. But if someone was to win an Oscar from something I filmed, I’d be right there to support them. 

Do you think you're gonna win it?

Me? No. 

What's the absolutely necessary ingredient to be a good director?


Cunning and practicality. You have to know how to turn your shortcomings into virtues.

First and last cinematographic crush?

My first cinematographic crush was ‘Otto e mezzo' (1963, Federico Fellini). My latest one, ‘The Turin Horse’ (2011, Bela Tarr).

How old you were when you decided you wanted to be a 
director?

I remember that after watching 'Mulholland Drive' (2001) by David Lynch, I thought it would be interesting to make a film one day. I was 24 years old.

For you a Film is... 

A transparent representation of the unconscious part of our mind. 


What do you feel when you're directing?


When I'm directing, I don't feel anything. I just think where is the best place to put the camera and what should I say to the actors so as not to confuse them.

You can go to the Movies with a director that you love. 

What kind of movie do you choose and with who you're gonna whatch it?


I think I would go to watch ‘Carnival of Souls’ (1962, Herk Harvey) with David Lynch.

Audrey Hepburn used to say “Nothing is Impossible”, what do you think 
about it?

Celebrities are usually kind and always want to make common people believe that can be famous if they fight and don't lose faith. I'm not a celebrity but I don't want to be unkind, so I agree with Audrey Hepburn and proclaim like her that "nothing is impossible".



Can you live just of your passion?

More or less. I am a person with an austere life. Otherwise...



What's more important talent or luck?

If you just want to be recognized, the important thing is luck. If you want to be a genuine artist, the important thing is to develop your talent or your obsessions.



You must go to a desert island but you can bring with you just one movie...


I would bring with me ‘Sátántangó’ (1994) by Bela Tarr.

Have you ever accepted a movie to direct  even if you didn't like the project?


No. I am lucky to direct the movies I want and to have a wonderful team of actresses.

What's the best compliment you have received about your job?


The best compliment I have received was in Porto. A young filmmaker told me: "I don't understand your shortfilm but I would have liked to make it."

Are you satisfied about your career?


I am satisfied to be never satisfied.

Do you have a good luck charm?


My wife and my team.

Which is the worst moment on set?


When I notice that my actors don't enjoy by filming something.

How do you feel when a job you've been part of it's ending?

I always feel dissatisfied because I have the impression of not finishing what I start, but of abandoning it. But I need to start new projects so I don't go crazy.


Have you ever lied to get a job?


I have never lied to get a job. I only lie to myself to keep believing in myself enough.

If you should win an Oscar your first taught would go to…

I will never win an Oscar, but I do not care about it. I am satisfied with continuing to make the films that I like.

When did you realised you wanted to be a Filmmaker\Actor\Writer?

Since I was a little boy, I watched Super 8 movies at home, such as 20,000 Leagues Under the Sea and Spielberg's "Jaws", throughout my career I have always been passionate about images, music and photos. In 1995 I took a theater course with Chico de Assis (actor) and Fauzi Arap (author) renowned in Brazil.

In 1997, with the premature death of my father, I had to solve family problems and business, putting my life on a parallel road, but during the pandemic in which I had to be confined, my imagination woke up and I went back to studying and creating short films.

Do you remember your first time at the Movies?

In 2020 I kick my head at a Light Pole in Rome seen a watching footage from a movie and on 2021 "Pretty"that was my first work.

If you should change country where would you like to work?

I am Brazilian and Portuguese citizen, I think cinema today is Global, so I could work anywhere.

Two films that have marked your life for better or for worse… 

 "Clockwork Orange" and "Das Weisse Band" for better and no one for worse.

What do you think about Acting/ filmmaking schools?

They can direct and teach your vision and talent to create what inspires you.

Have you ever hated your ambition?

When I was little I exchanged a raffle ticket for a ball with a friend and the number that was drawn was the one I gave him and my mother said that when I was born the doctor said that I cried too much. This way I learned to deal with frustrations and criticism from an early age.

Hate is not part of me.

Francois Truffaut used to think that "Film Lovers are sick people”… was  he right?

I think a filmmaker does, because he needs to express all his feelings on screen. I think anyone who loves cinema is just sic, if you think what's on the screen is true.

Close your eyes…if I say “Cinema” what do you see? 

The mix of sound and vision that became art.

Who’s the Director\Actor\Writer that taught you the most?

Truffaut, Kubrick, Polanski, Brian de Palma, Ridley and Tony Scott.

About your job, tell us your biggest dream and your worst nightmare…

The biggest is to be invite on great Project and Festival and the worst to not be involved on them.

How important is to have a good Cinematographic Culture?

Because it can broaden your vision and style in project development.

What would you like to improve as a Filmmaker?

The social conscience because society today is divided feeding a lot of hatred.

A big producer give you the chance to direct\to play (in) the remake of one of your favorite black and white Movie (if you have one)… what film do you choose?

Any black and white Truffaul movie but the one I would really like to remake is Tony Scott's The Hunger.

Film Industry it’s a tough place and sometimes is normal to feel lost and discouraged… who’s the person that keeps you motivated?

My wife.

Alfred Hitchcock said: "To make a good film you need 3 things: The script, the script and the script".  Do you agree with him? What’s your most ambitious project for the future?

When you don't have imagination, a script is necessary, but what would a script be without imagination and creation? ....and my most ambitious is my project called "The Hill" which is a dramedia that tells the story of a piece of land inherited by a 19-year-old young man who had nothing to do with it.

Do you think that sadness or at least melancholy let be more creative?

Of course.

What do you wish to yourself as a Filmmaker?

I have basic training as a Filmmaker and an actor and a very beginner as a writer and, like all work and creation, I evolve over time and create more projects. 

Do you prefer Comedy or Drama?

Well as a film director screenplay writer music composer and as an individual who loves the ancient Greek theatre it is impossible for me to choose  one over the other. Both genres share equally my respect and admiration. The perfect combination is to potentially merge  these two genres in one story successfully. Drama is a Greek word and in the Greek language means action, movement, either physical or emotional. Also the word comedy is a Greek one too which is compound of  "komos" (usually a small company or friends mostly in high spirits) and "ode" (singing). Although comedy is way more difficult than drama to be performed and totally executed by a whole team . it's not easy to make people laugh though, especially if you don't want to lose the high standards of quality. Both require talent and experience blended with knowledge.

Life imitates Art or Art imitates Life?

Τo know how to live, and to be pleased with it, and to enjoy life, that is art. Τhe design of life, by some supreme being or some universal energy, that unfortunately we do not know, and do not even understand, this is art. Τhe movement of the stars, the movement of the planets, the visual astrological depiction of the galaxies, black holes, the daily lives of people, whether ugly or beautiful, the inexplicable way the human mind works, love, all these are inspired art, and each one of us can interpret it as he/she wants, either scientifically, religiously, or philosophically..and this artistic reality - if it really exists, and is not some artificial hologram - is represented by art, cinema, music, poetry, writing, painting and every kind of inspired creation of man.

Which is the best Moment on set?

Εvery moment, from the initial moment when I write the script, to the creative moment of designing the storyboard, to the moment when the actors will be chosen and the roles will be distributed, the moment when the first rehearsals of the actors are started, the moment you feel the joy of the first shots, when the shooting of the film begins. Moments when the daily shooting of a scene ends, and all of us, cast and crew enjoy an excellent dinner after a hard day of success or..even failure. the moments are many, inexhaustible. a very beautiful moment is when you go back to the studio and feeling happy with the day's shooting, and especially when what you see is close to what you wanted to happen. I could recount countless moments both good and bad but definitely unrepeatable and unique.

Did anyone ever tell you weren't good enough?

Μy experience in art, I would say is long-standing, but there is always an inexhaustible space for exploration, progress, and optimization. Ιn my first steps, I might have heard from some that I wasn't good enough, for various reasons, either correct or envious... but I always knew where I was standing on, and how I could fix things for the better. I had and have confidence in myself, but always humbly, and definitely in my field of course,  in which I am specialized, and always willing to listen to simple advice from real simple people.  Τhis is the most constructive advice, from people who have nothing to lose or gain from you. In the art we walk alone and we work together.Patience and perseverance,vision.   

How can you stay focused on your goal?

Patience and perseverance, vision. The sense of creation always keeps me focused on my purpose and my work.

Have you ever had a breakdown because of your Job?

Breakdown is not an option, on the other hand, bad moments are really out there...if I feel bad about those moments? yes I do, for the moment though.. I stand up and I keep walking.. no guts no glory..

Talent is a blessing or a curse?

Of course talent is a blessing..but always you have to pay the price of it.. emotionally and practically.. being a talent means you have a special way of seeing things beyond their material existence.. being a talent it means, you feel happy, you smile, you love, you suffer, you cry, you feel sorry, you're sad, and you're in high spirits as well, and all these above,  leading towards your artistic creation, your work..

What would you like to improve about yourself as a composer?

Well as you know I'm a professional music composer with a lot of experience worldwide. Art is a broad institution of creation. As a film director and screenplay writer I have so much to learn, to improve, but always based on my experience as a professional in the music art. I use all this experience to build a parallel course that travels along with music.. for me music and film fill each other's gap. I love to work with experienced professionals in the film industry in order to combine our knowledge to a final outcome..

What's the worst critic you have received?

Well during my career as a composer I've never received a very bad critic about my music, on the other hand received irrelevant critics, of, probably, personal issues, rather like a competitor's so-called bulling, from another so-called professional composers. I was only 19 years old when I received platinum record Award from EMI, and that made some people to feel uncomfortable, and most of them they were at least 20 years older than I was. Although I have worked as a director and producer for dozens of advertising spots and video clips, the truth now is that, as a director, screenwriter and cinematographer, and of course the producer of my own first feature film, I feel a little curious about the potential future reception  from fellow professionals.. the good thing is that my work has already been presented with 30 awards, nominations, honorable mentions, and official selections all over the world at major international film festivals so far. Consequently the first professionals, at the film festivals have duly honored me and I feel truly wonderful and grateful.

If you weren't a composer what would you like to be?

if I were not all of these or even one of them, I would like to be an astrophysicist or an astronomer. Both, this science which is related to the universe, as well as art, contain philosophy, and fit in a common path of exploration.

If Cinema was a color what would it be?

Cinema is indeed a color, and not just one. it is the multicolor of our thoughts, our feelings, our perceptions and beliefs, it is a vision of the future, and truth of the present, as well as a historical review of the past. this world is colorful, so is cinema.

A day without a movie is...

Α day without a movie is the same as a day without music and that is precisely why both arts interact.

If someone offered you to play/direct/write in/a movie that you despice but that for sure will make you rich and famous...would you accept the job?

Μy first priority with the subject I will deal with, is quality. Αnd when I say quality I mean the quality of the combination of all the arts that will work together to produce a desirable result. Τhis has nothing to do with whether I like a certain script or a certain movie genre . if the genre is so badly extreme and so offensive to my intelligence and morals I will not accept to undertake it. But of course I would undertake to carry out a job which would be commercially successful. And that is because commercial success includes a good deal of quality of all the arts that will work together.

What's your greatest ambition?

My ambitions are specific and always related to the creation of new projects. I believe that just as with my musical success as a composer, all these years, I seek in this humble way to achieve something similar in the cinema as well.

What's your biggest fear?

Ηumans are full of fears from the moment they are born to the moment they leave this reality.. we always try as a human species to over indulge our fears, sometimes unsuccessfully and sometimes successfully. Fear always lurks when you give a special attention to it. Fear creates anxiety and anxiety creates fear and it's a never ending cycle. if we realize our temporary journey the fears will subside.

Does music helps you to create?

Μaybe this is the best question for me after all. Αnd that's because I'm a music composer. Μusic creates images, and these images the art of cinema comes to realize. For me everything is primarily sound, and therefore music, an auditory vision that ends up becoming a visual feast of dreams.

You have the chance to make a Silent movie, what's your message to the audience?

Ιf I ever made a motion picture of a silent content, the subject of the film would be precisely the preciousness of silence.

Share your speech if you should win an Oscar.....

The truth is that I haven't thought about it, nor do I know if I will win an Oscar, nor do I know what I would say to the public if I won an Oscar. Οbviously I would improvise at that moment.

How can people find you?

demetrismusic@yahoo.com

+30 690 729 2353

www.broken-circle.net (feature film)

www.facebook.com/epicscores

What's the absolutely necessary ingredient to be a good Filmmaker?

I don't know if there's just one, that would make for a pretty bland film. As a Writer and Director, I'd have to say story. Without story, you're just putting pictures on a wall. Assuming that's a given, I think the skills beyond filmmaking, such as logistics and problem-solving. You could define a film as a series of solutions to random problems.

First and last cinematographic crush?


Brigitte Bardot, the first and the last.

How old you were when you decided you wanted to be a Director?


I still haven't decided. Seriously, I've had a few flirtations with arts. I studied film in college, then dropped out to pursue music, painting, and literature before returning to Cinema. Cinema is the culmination of all these, so maybe I'll stick with Directing for a while.

For you, a Film is...


An experience. When I can look up from my seat and get jolted back into reality.

What do you feel when you're Directing?


Sheer terror! No, seriously, there are so many moving parts that could go wrong that are always in your mind. Further, as an Indie director, I'm working with a… truncated budget, so there is more I'm responsible for than bigger budget productions. So I am ready to snap into problem-solving mode at any moment. Then there's a scene where it clicks and takes you out of the artificial world of the set into a new reality. And that scene becomes very real, and for a moment, you are not on set, but you are in that new reality, and it's a good take, and you know you've captured a moment of beauty. It's like other feelings.

You can go to the Movies with any actor or director that you love. What kind of movie do you choose and with who are you going to watch it?


If you're telling me I can take Brigitte Bardot out to see a Romantic Comedy, I'm not going to say no. But intellectually… Maybe attend a Fassbinder Film Festival with Jean-Luc Godard, then go to a Café in Montparnasse to smoke Gauloises and drink espresso laced with Spanish brandy while discussing existential philosophy. 

Audrey Hepburn used to say, "Nothing is Impossible" what do you think about it?
I

I thought she said, "Nothing is Implausible"? But seriously, Sure… Within reason. I mean… you say that, then someone comes along and makes a comment like, "what about pigs flying" and then ruins the moment. But in the realm of human endeavor, on a long enough timeline, nothing is impossible, including succumbing to entropy. I think more aspirations are defeated from fatigue rather than circumstance. 

Can you live just of your passion?


Yes… I'm a very passionate man.

What's more important, talent or luck?


Hands down talent. Luck would have to be some resolute constant beyond reason. Whereas talent is a resolute constant. 

You must go to a desert island, but you can bring with you just one movie...
I

’m going to cheat and say Fassbinder’s Berlin Alexanderplatz. It's a 15-hour film, so when you get to the end, you've forgotten how it started, so it's like watching an entirely new film every time.

Have you ever accepted a movie to Direct even if you didn't like the project?


That wouldn't happen. I only work on projects I've written. I did walk away from a project because I didn't like the executive producer. It was the first project I ever had in development, and I went with a producer with some major credits. Unfortunately, he also had a terrible reputation in Hollywood, and as a newcomer, I should have done my homework first.

What's the best compliment you have received about your Job?


When Lipstick Traces was nominated for Best Ensemble Cast at the IndieX Film Festival in Los Angeles. 

Are you satisfied about your career?


I'm very happy with what I am doing, and I take moments to step back and enjoy the process. But I think satisfaction breeds stagnation. It's a difficult balance. You want to be content in the moment but always strive for a more complete version of your vision. This gets back to the Hepburn quote, In order to endure, to reach that which has been deemed impossible, we need to take a moment and acknowledge our triumphs along the way.

Do you have a good luck charm?


Not a good luck charm, but I have two items that are constants on my desk. One is a meteor that impacted somewhere in Argentina around 1650, and the other is a piece of the Berlin Wall. The meteor is estimated to be between three to four billion years old, which is beyond comprehension. I keep it to remind me of the grandeur of the universe and how small each of us is in the grand scheme. I keep the fragment of the Berlin Wall as a symbol of what intolerance can breed and how it can be defeated by the will of a people. Nothing is impossible.

Which is the worst moment on set?


Just one? I remember a time when I scouted a location, a bar/restaurant in the Bronx. It looked perfect for two scenes, so I booked the cast, crew, and extra. Unfortunately, when we got there, they had started street work out in front, and I knew any sound we recorded would be useless, and we'd have to dub it later. But it wasn't the end. During the shoot, batteries were dying for no reason, and lights and backup cameras didn't work… It was a fucking mess. But what I didn't do was lose it, or let on to the cast the shit we were in. Because of that, I got some great performances, and after a couple of ADR sessions, the scenes turned out great.

How do you feel when a job you've been part of is ending?


Projects don't end; they evolve. I'm not a parent, but I imagine it's the same feeling a parent would have when they send their child off to college. Childhood has ended, and there is some sadness because you will never have that innocence again. Still, you take solace in knowing your creation is going out to experience the world and, hopefully, fulfill their potential. 

Have you ever lied to get a job?


That wouldn't happen as I only work on projects I conceive. But further to this, to lie is to lose integrity from which one can never recover. If I go broke, I can make more money. If my home burns down, I can find another. But if one loses their integrity, one can never get it back. It's a permanent state. 

If you should win an Oscar your first taught would go to....


My cast and crew they're like family to me.

Where can we find out more about you and your work?

You can find more about Mick and Lipstick Traces on the project's official website at - lipstick-traces.com

Do you prefer Comedy or Drama?

I like working in both comedy and drama, but I tend to prefer drama since the genre is usually more serious and worthwhile than comedy, but comedies are still good if they are cleverly satirical and put forth a good message. I like to go back and forth between the two genres or sometimes mix the two that way I do not get stuck in one genre and I can create a variety of artistic works. For example, in college, I worked on a serious crime drama short film, and then the next project I made was a lighthearted comedy aimed at kids and teenagers. After I finish the next Sister film, I want to make a comedy so the cast and I can have a little more humorous fun and I can develop my filmmaking skills outside of the horror/drama genre.

Life imitates Art or Art imitates Life?

I would say art often is a creative reflection on the world and thus imitates life, but art also can motivate and inspire viewers. Thus, life can be an imitation of art. One could argue that art transcends life and serves as a medium for change in our world. I often incorporate subtle references to my own life and interests in my work to add a personal touch to my films.

Which is the best Moment on set?

The best moment on the set of Sister was when we shot the scenes in the apartment and nightmare sequences. In between takes during those shoots, our assistant director Giorgio Giudice would pull out his guitar and play songs that brought some fun and lightheartedness to the set. The shoot for the scene at the character Jim Smith (Joshua Scantland)’s house was exciting since we got to play with a bunch of lizards and snakes. Vasudha (who plays the main character Sister Jowi) had one of the snakes wrapped around her neck which was a fun shock for her! I greatly enjoyed all the moments I got to spend with Vasudha during shoots because she is such a talented actress/filmmaker and amazingly kind individual, and I am at my most creative and confident when I am with her on set. Her recent award wins for best actress are well deserved, and I look forward to making more projects with her in the future!

Did anyone ever tell you weren't good enough?

I had a professor in film school who used to be a prominent actor/filmmaker who led me to believe that he could help me break into the film industry, but that ended up not being the case, and he told me that I would never work in Hollywood. I also had a female classmate in film school whom I was romantically interested in and had hopes that she and I would collaborate on professional film projects and go on to become the “John & Yoko” of film, but our relationship didn’t work out and she said I would never be a “real” filmmaker. I was upset by their criticisms, but I never let their pessimistic comments or negative feelings toward me stop me from pursuing my creative dreams, and they likely would change their opinions if they could see the recent successes I have achieved as an independent filmmaker. Looking back on it now, the whole ordeal was kind of laughable like those scenes in musical biopics where someone tells the music artist “you’ll never succeed” and then the music artist proves them wrong and becomes successful.

How can you stay focused on your goal?

I stay focused on my goals by thinking of the success that will come from achieving them. I think about how no matter how hard it gets or the challenges I face along the way, things will work well in the end if I just maintain a positive attitude and keep pushing forward and have faith that my collaborators and I will succeed in our endeavors.

Have you ever had a breakdown because of your Job?

I have had moments in previous projects where they had to be canceled in the middle of production due to unforeseen circumstances, but I wouldn’t say I ever have had a breakdown. I learn from my missteps and make sure they do not happen again in the future and just move on to pursue better things.

Talent is a blessing or a curse?

Talent is definitely a blessing. I have a real gift for seeing the world through a creative lens. I have a clear and active imagination that helps me to craft ideas into an actualized state of being. It is such an amazing feeling when I visualize a scene in my head and then see it come to life in its filming and editing exactly as I imagined it. It shows the incredible power of the medium of film in how it can be used to create something from nothing.

What would you like to improve about yourself as a Filmmaker?

I would like to improve some of the equipment I use during production. I currently film most of my projects using the Canon 6D DSLR camera, which is the same camera that many prominent filmmakers such as Ron Howard have used to record their films, but more advanced cameras have come about in more recent years that I would like to use on future projects to increase the picture quality of my films even further. I ultimately would love to shoot on 35mm or 70mm motion-picture film cameras if I had the option and the budget to do so since those formats yield the best picture quality possible.

What's the worst critic you have received?

The worst criticism I ever received was one of the first screenplays I wrote in a class at college. I had followed all the instructions correctly and wrote the script in the way our professor wanted, but the professor hated my screenplay, and it was at that moment I realized that even when you do everything right, there will always be someone who will find some reason you are wrong, and I learned to not let these people and their irrational criticisms stop me from proceeding with my creative endeavors.

If you weren't a Filmmaker what would you like to be?

If I weren’t a filmmaker/TV producer, I would like to be a scientist. As a kid, I was fond of Bill Nye the Science Guy and enjoyed going to science museums. Science classes also were some of my favorites in school, especially the fun experiments and doing projects for the science fair. Even today, I enjoy reading science books and watching science documentaries. Some of my interests, including Transcendental Meditation and Freemasonry, also have their basis in science, and there is a great overlap between science and religion (another great passion of mine) though many believe that one cannot exist with the other. Science documentaries or science fiction may be a genre I tackle in future film projects.  If Cinema was a color what would it be?  If Cinema was a color, it would be Prussian blue like the color of Heaven described in Donovan’s song “Wear Your Love Like Heaven,” since I see Cinema as a window to a heavenly realm created by artists who are divinely inspired to craft their visions into reality through the film medium.

A day without a movie is...

A day without a movie is like a day without food or sleep. Movies and by extension narrative works in other mediums such as books, television, and web series provide necessary intellectual stimulation that could cause one to fall into a state of boredom or even aggravation if gone without.

If someone offered you to direct/produce a movie that you despise but that for sure will make you rich and famous...would you accept the job?

If someone offered me a movie job I despised but would make me rich, I would decline the offer because I can only feel comfortable making a film I actually agree with or would want my name associated with since I see my creative work as a reflection of my self. I also would not see a film where I am not the creator or a major collaborator as my own work as I am at that point just helping someone else to achieve his or her vision and not my own.

What's your greatest ambition?

My greatest ambition is to become a successful and innovative independent filmmaker and eventually get to a point where I have my own production company, developing films and other creative projects across multiple platforms. I also intend to serve in leadership roles and continue to advance in organizations in which I am involved such as The Freemasons, Transcendental Meditation, and my church.

What's your biggest fear?

My biggest fear as a filmmaker is the possibility that I might eventually lose my creative spark or no longer be able to make movies for whatever reason, but I tend to stay focused on the positives and work towards the optimum outcomes and find new ways to keep my creative juices flowing and better myself as a creative and a person in general.

Does music help you?

Music definitely helps a lot when I write outlines and ideas for films. I usually create playlists of songs that inspire me for the particular film I am developing almost as if they were the soundtrack of the film. I will listen to these songs constantly to construct the vision of my idealized film and then write down what I imagine in script form. Some of the songs that inspired me while writing Sister are “Eleanor Rigby” by The Beatles, “Cymbaline” by Pink Floyd, “St. Matthew” by The Monkees, “She’s Lost Control” by Joy Division, and “There Is a Light That Never Goes Out” by The Smiths.

You have the chance to make a Silent movie, what's your message to the audience?

If I had a chance to make a silent movie, I would make sure the visuals are engaging and are able to make the story presented easy to understand. In some ways, the opening cosmic sequence of Sister is like an artistic silent film as there is no dialogue but the story is made clear by the visuals and the actresses’ facial expressions and movements. I especially was impressed with the performance of Anza (who plays the deity Sophia) in these scenes as her face and body movements were so expressive and clearly state the emotional feeling of the character. Anza is a rising pop star in the music scene, especially with her recent hit single “Too Late,” and she will continue to make great strides in her music and acting career.

Share your speech if you should win an Oscar.....

If I were to win an Oscar, I would thank all the individuals and organizations who helped me achieve the award and then lead the audience in The Lord’s Prayer and close by saying “Jai Guru Dev!”

Do you prefer Comedy or Drama? 

I prefer both. Comedic drama?

Life imitates Art or Art imitates Life? 

Art is life. I believe the exchange between life imitating art and vice-versa is constant. We observe our surroundings and situations only to interpret them in an artistic manner, whether be more exaggerated or closer to what it really is. 

Which is the Best Moment on set? 

When we're rolling. Seeing the scenes come to life is always surprising and mesmerizing. 

Did anyone ever tell you weren't good enough? 

Maybe everyone, all the time. The secret is to take that as encouragement and not let it hit you so hard. If you overthink everything you do in order to please others, you shouldn't be working in the creative industry.

How can you stay focused on your goal? 

Planning, taking one step at a time, and breathing. 

Have you ever had a breakdown because of your Job?

I work in advertising so breakdowns are almost mandatory. The industry is packed with egocentric people, who often don't serve the purpose of the work but rather their own. One of the great advantages of working in advertising is the ability to develop thick skin. Your ideas die every minute, so you learn to be resilient and move past them. Onwards is the word of command.

Talent is a blessing or a curse? 

A blessing! Curse? What?

What would you like to improve about yourself as a

director? 

Maybe being a little more patient and less impulsive when it comes to building the team and getting the project started. I tend to want everything done yesterday, but craft takes time and we need to allow ourselves to balance the sense of urgency that comes with big productions and deadlines, with the arduous and time-consuming process of creating art from scratch.

What's the worst criticism you have received? 

From my dad when I was a child: you have a wandering mind. Little did he know that this "wandering mind" helps me to create and be diverse in my thinking. If you have lots of ideas and change your mind all the time, take it as a good thing. It's part of the creative process.

If you weren't a director what would you like to be? 

In the film industry, perhaps a DOP or Producer. I already act like both because of the small budget situations we often see ourselves in, but the TRIO of director, producer, and cinematographer makes everything come to life. 

If Cinema was a color what would it be?   

80% black. Dark Grey.  

A day without a movie is...  

 A day reading a book

If someone offered you to direct a movie that you despise but that for sure will make you rich and famous...would you accept the job? 

I think there's no movie you can despise once you put your own spin on it. So if I am accepting a project, I am most likely changing a few things in it to make it my own. But certainly, the purpose is not to be rich or famous.

What's your greatest ambition? 

To be recognized as an authentic storyteller.

What's your biggest fear? 

To be anchored in the sea of sameness.

Does music help you to play/direct, write? 

I am the one who scores my own music at the moment, but usually I write in silence because the voice of the characters are really loud in my head.

You have the chance to make a Silent movie, what's your message to the audience? 

I already made one, it's called "Home" - check it out, please. It's a film about domestic violence and mental health.

Share your speech if you should win an Oscar..... 

Am I winning for best film? I feel like I need a bit more of information here...

What's the absolutely necessary ingredient to be a good actor?

You have to be great at both taking and giving direction. You also have to believe in the project you are taking part in

First and last cinematographic crush?

Lupita N'Yongo

How old you were when you decided you wanted to be an actor?

Since I was a baby.

For you a Film is...

Something that is recorded on a medium and is appreciated in any way by a viewer.

What do you feel when you're acting?

I love being able to express my thoughts and ideas

You can go to the Movies with an actor/director/screenplayer that you love. What kind of movie do you choose and with who you're gonna watch it?

I'm going with Madeline Kelley, and we're watching a documentary 

Audrey Hepburn used to say “Nothing is Impossible”, what do you think about it?

I 100% agree with Audrey :)

Can you live just of your passion?

YES!

What's more important talent or luck?

Talent....It will always be with you

You must go to a desert island but you can bring with you just one movie...

Empire Strikes Back

Have you ever accepted a part altough you didn't like the project?

No, I would not. I would have to believe in the project to be a part of it.

What's the best compliment you have received about your Job?

That I am making a difference in the lives of young people and helping shape the future.

Are you satisfied about your career?

Yes! 

Do you have a good luck charm?

No

Which is the worst moment on set ?

Setting up the shoot. Lots of opportunities to mess up expensive equipment.

How do you feel when a job you've been part of it's ending?

Glad that it's over, but always a bit bittersweet.

Have you ever lied to get a part?

Yes haha

If you should win an Oscar your first taught would go to....

Thank God and everyone who got me to that place.

What the film “Home Away” moves you the most?

The film “Home Away” reflects the real life of Shanghai people. I was born and grew up in Shanghai, so I am very familiar with the film. The plot that the lonely old man wishes to spend more time with his children moves me the most 

Which scene in the film “Home Away” is the most unforgettable for you? 

The most unforgettable scene is that the old man and his son fell over on the street, cried and embraced each other.

As we know, you have invested in a lot of projects and set up many enterprises. So before you invest in this film, have you ever participated in other films?  And will you share with us what’s the difference between the investment in films and that in other types of projects? 

I have never invested in any film project before.

There is great difference between the investment in films and that in other types of projects. For example, I will focus on the team, product and market prospect when I make investments in science and technology projects, and I know a lot about them and I could participate in both product development and market expansion; while as for the investment in films, it completely depends on the resource integration ability of directors and producers as well as their capabilities of comprehending the film industry, so I can’t give them a hand, but only understand and assist the director in his work.

So far, this film has won over 30 global awards and honors, including Best Picture, Best Original Screenplay, Best Director, Best Lead Actor, etc. So, how do you evaluate Director Oliver Yan?

Director Oliver Yan is a new prominent director, with the background of science and technology, the spirit of craftsmanship for excellence and the feelings of an artist. I believe that he will bring more excellent works for audiences.

You won the Highest Achievement Award of Intel in 1990, and you are an iconic figure in the field of semiconductors and chips. You have founded IC Education and you are the author of the best-seller “The Big Bang of the Chip”. Besides, you have your own radio station at www.ximalaya.com. Will you share your experience with us?

Yes, I have been engaged in the chip industry for over 30 years, and I used to hold many posts ranging from an engineer to an enterprise manager, a technician to a marketing person, a student to a professor, an entrepreneur to a founder, and a science writer for chips to a We-Media worker, and recently I have shifted from a film viewer to a film investor. I enjoy the opportunity for cross-industry development in this new era. I hope that we can make contributions to Chinese film industry together, to show the charm and influence of Chinese films to the world.

Finally, what are you up to lately?

Recently, the chip industry has been a very trending topic and the overall localization of the chip industry is of the greatest investment potential. Both my colleagues in IC Technology and I are busy with integrating resources, developing the new generation of chip materials and chip production, especially the extra-high voltage chip and communication chip related to 5G. We hope that we can launch such new products in 2021 or 2022.

Tell us about your background and when did you decide to become a Producerr?

I guess it was the escapism and the romanticism of losing myself in the great stories of yesteryear. It wasn’t until 2013 that I found myself being asked to produce a screenplay that had been written by one of the people working for my television production company. Screenwriting followed on from that as I discovered I had an innate talent for storytelling and realised that the only way of creating projects that I really wanted to produce was to commission my own ideas or write them myself or in partnership with a co-writer. 

Films that inspired you to become a Producer?

My favourite films are ones that I would have no hesitation in watching multiple times, for me that is the litmus test for a great movie. Examples of these would be The Shawshank Redemption, Goodfellas, Midnight Express, Schindler’s List, Gladiator, Braveheart, Plane Trains and Automobiles, Fatal Attraction, Wall Street amongst many others. 

Who is your biggest influence?

I would say there is no individual person but the actors I grew up admiring included Clint Eastwood, Al Pacino, Robert De Niro, Jack Nicholson, Elizabeth Taylor, Greta Garbo, and Denzel Washington. Of course, there are many other favourites, too many to mention! In terms of directors, I would have to mention David Lean, Steven Spielberg, Martin Scorsese, James Cameron, Sergio Leone, and Brian De Palma.

What were some of the challenges you had to face in making your films? 

The biggest challenges initially were raising funds, working with people that had the same vision and could be trusted, understanding the ever changing marketplace and bridging the gap between financiers who want developed packages and agents who want projects green lit before attaching cast. 

Do you have a favorite genre to work in? Why is it your favorite?

This would be historical epics/biopics. It is my favourite genre because I grew up watching many of the greatest epics of all time and since they were based on real life characters they had much more significance and influence over me, and I had a thirst for knowledge about people from history. 

What’s your all-time favorite movie and why?

The Shawshank Redemption would certainly be up there in the top three. It is a beautifully written and acted movie, showing the injustice that can happen to people in this world and the closeness and bonds that one can form even in the most difficult of environments. 

If you could work with anyone in the world, who would that person be?

From an acting perspective I think that would be Robert De Niro, and from a directing perspective of course I would love Steven Spielberg, Martin Scorsese, or Oliver Stone to work with me on one of my future projects. In fact, I have two amazing projects that are both historical and politically significance that would attract all three based on the types of projects they have done previously. I also believe they could turn these screenplays into multi-Oscar winning films. Oh, and let me not forget Denzel Washington, a fabulous actor and director that I would like to work with also.  From a female perspective, actresses I would like to work with include Zoe Kravitz and Ruth Negga, and it would be amazing to work with Ava DuVernay.

Tell us something most people don't know about you.

I was extremely shy as a child and had a fear of speaking in public. Most people that know me now don’t believe me!

The one person who has truly believed in you throughout your career.

I have to mention more than one. To answer this without offending anybody I have met in recent years I would have to say my father, the mother of my children, and my children. Despite the hurdles I have had to overcome, they have always been there to remind me of what I’m capable of when I set my mind to it. 

What was the most important lesson you had to learn as Producer?

As a filmmaker it would have to be to trust in the right people and in your own gut feeling. As a screenwriter, it would be to write about something you’re passionate about and ultimately that would attract a global audience.

Is it harder to get started or to keep going? What was the particular thing that you had to conquer to do either?

I think to get started in my case, once I start there’s no stopping me! To get started the thing that I had to conquer was to ignore all the people that were trying to hold me back and to become single minded and focussed on how I was going to achieve a clearly defined set of goals. It was learning which people could add value and which people to cut loose who detracted from what I was trying to do. 

What keeps you motivated?

Achieving my goals and excellence in this industry amongst my peers.

How has your style evolved?

I believe I have become much more lateral in the way I approach projects, and more decisive in making hard decisions about who I work with and who I don’t work with to ensure I am surrounded by a small but quality and loyal team. 

On set, the most important thing is:

A great atmosphere and comradery amongst all the crew and creative people, and efficient communication and execution of the daily tasks. 

The project(s) you’re most proud of: 

The project I am most proud of to date has not yet been filmed, this is The Great Hunger. It is an epic story of love and survival set during the harrowing time of the Irish famine in the mid 19th Century. My co-writers include Man Booker Prize winning author of Schindler’s List Thomas Keneally, his daughter Meg, a successful novelist and screenwriter in her own right, and double Oscar nominated director and writer Roland Joffé. Of course, Boogie Man is a production we have finished that was a fun film and to date has won 51 awards at international film festivals this year alone, so I’m proud of that too.

The most challenging project you worked on. And why?

Juliana & the Medicine Fish simply because it was my first co-production and involved filming in Manitoba, Canada a long way from the comforts of home. Having said that, it was made a whole lot easier because of the professionalism of my co-producers Tanya Brunel and Jeremy Torrie (who was also the writer/director). 

What are your short term and long term career goals?

My short term goals are to finish producing three of the smaller projects we have which are around the US$3 million level, and to complete the remaining seven larger budget films circa US$15-30 million over the next two years to a level where we achieve financial success for the investors, peer adulation in the way of winning major awards, and a positive effect on some of the social issues these films cover such as gender and race equality, transparency in government and the media etc. Of course, I would love to win an Oscar, which in many people’s eyes is the ultimate recognition within the industry, but more importantly for me is to leave behind me movie projects that will be watched by generations to come and become known as Classics. 

Your next projects?

The next three projects we have going into production are Gorger, a revenge/crime/drama based on a multi-award winning screenplay, The Great Hunger, mentioned earlier in the interview which will have an A-list cast, and On Par, a hip coming-of-age drama about a young boy fighting his inner demons whilst falling in love and developing his own hip hop music.

Please share with us where people can find you on social media, so our readers could keep track of your career

Facebook: https://www.facebook.com/PaulAndrewsGlobalWatchFilms

Twitter: https://twitter.com/GlobalWatchFilm

Website: https://globalwatch.com/

Tell us about your background and when did you decide to become a filmmaker/actor?

I was always very active in the Arts. I never recall a time where one aspect was without the other. I loved sharing my stories and I loved performing. I realized early on that, in order to see the kind of stories that I wanted to see, I would have to write them and I would have to make them. There is a certain ease that comes with being part of a project from start to finish. There is never a question about where you’re going and where it’s going because those things have been covered and worked through in your own mind from day one. It makes you connected with your project and it makes you feel free to explore its possibilities. It’s like a close friend. When you know each other well enough, you become a fearless risk-taker with that friend because you know each other so well and you know that something good is going to come from the risk. 

Films that inspired you to become a filmmaker/actor?

James Cameron’s “Titanic” was the first film that consciously made me want to make films, write films, and be in films. I saw him create his own world and take the entire audience world on his journey with him through the medium of film. I knew I wanted to do the same thing with my worlds and my stories. Film allows for endless creative possibilities and the widest range of audience potential on a most expressive form of creativity. I was eight years old. I wanted to create my own worlds, inhabit them, explore their every facet and every character therein, bring them to places heretofore unimaginable, and share them with the world.

Who is your biggest influence?

People who do the impossible and people who are true to themselves. People who carve their own paths- in whatever field they are in. People who know who they are and can love themselves and be happy with the choices they make. It’s all about the journey. I respect the journey. I let myself be inspired by the journey. The late, greats, Barbara Cook and Elaine Stritch. Freddie Mercury. Elton John. Philippe Petit- the man who wire-walked between the Twin Towers back in ’74. Charlie Chaplin. Fred Astaire. The Marx Brothers. Jack Lemmon’s performance in “Days of Wine and Roses”. People who overcome the odds and take control of their life. Sylvester Stallone. Robert Downey Jr. Quentin Tarantino. My parents. The risk-takers. The innovators. The people who don’t take “impossible” for an answer. The people who are willing to get out there and do. Orson Welles. I’m dating myself back to the Grand Era here- perhaps a side-effect of my deep research for “The Saints of the Rue Scribe”- but, Pauline Viardot- she was described as one of the greatest actresses of her time and no one ever knew what crazy boundary she was going to leap over the next time they saw her on the stage. The unknown excited them. “Charlie” Gounod. Alright, back to modern people. Kate Winslet- fearless in every performance. Viggo Mortensen- one of the most transformative actors on the planet. There are so many. People who prove that there is no limit. People who live freely and let that freedom shine forth in their work as they journey to even greater freedom. Again, I love the journey. I suppose that’s the writer in me. And I permit me to inspire myself as well. And I suppose that’s the filmmaker in me. And, taking it all in and putting it all together and letting it all out- I suppose that’s the actress in me.

What were some of the challenges you had to face in making your films?

The biggest challenge was always what ended up inspiring the greatest creative freedoms- having nothing. When you start with absolutely nothing and need to build every moment, every step, from the ground up, you get creative and you learn to do everything and how to get everything done. You learn that you can rely on yourself more than you knew you could and you learn that you will, indeed, surprise yourself every step of the way. You learn that being alone means having a level of creative freedom you never would have otherwise had and you use what is truly you to bring about to everyone the best of the moment, the best of the scene, the best of the edit- everything the best it can possibly be. You learn to treasure time alone with your own heart and mind just as much as you treasure group creative collaboration. You get to see everything from a unique perspective and that helps you in every aspect of what you do- not just for this project in a special way- but for every project in the future, whatever it will entail. You’re ready. You’re successful. You trust yourself. You know what you’re doing and you know they know what they’re doing. And you look forward to every possible detail of collaboration with people who equally, in their own ways and talents, trust themselves as well. Many paths leading to the same place to come together as one and create a beautiful work of art.

Do you have a favorite genre to work in? Why is it your favorite?

Every genre I have worked in has had its own unique joys and intricacies. That said, I love drama. It’s all encompassing. It has no definition. It can mean anything. Creative opportunities therein are endless. I love to be grabbed by a story and never let go and be taken all the way.

What’s your all-time favorite movie and why?

I don’t think I could pick just one. So many films and types of films for different reasons at different points in my life with different memories attached to each of them. My favorites are all over the map. All the Rocky films. And the two Creed films. I watched them all with my dad from the time I was a baby. Days of Wine and Roses- probably my all-time for acting inspiration. Citizen Kane- probably my all-time for creative inspiration. The Gold Rush- my favorite Charlie Chaplin film. Top Hat- my favorite Fred Astaire film. A Dangerous Method- Keira Knightly is insanely great in that performance. Titanic- probably my all-time for writing and directing inspiration. Going My Way- my favorite Christmas film. Knives Out- hands down, Rian Johnson is an absolute genius- this film came out at just the right time to inspire me in just the right way. I’m very much looking forward to the next Benoit Blanc film. The Walk- I love his story and I think it is the most accurate and honorable use of visual effects I’ve ever seen. Bohemian Rhapsody- he defied the odds; he did the impossible. Rocketman- Elton John is probably the one musician that me and both my parents can agree that we absolutely love- they saw him play Madison Square Garden back in the 70s, and Taron Egerton was amazing. That Thing You Do- guilty pleasure film for me since it came out. Dantes Peak- I don’t know why I love it but, every time it’s on TV, I’ll put it on. I remember seeing it in theatres with my dad when it first came out and we were trying to figure out which effects were digital and which effects were miniatures and builds because it was just done so well. The Siege- because it was the first film I was ever an uncredited extra in and because I love Denzel Washington. Bowfinger- when you’re doing independent films for so many years, you start to wonder when you’re going to have to run across a freeway with cars coming at you from every direction. Dog Day Afternoon- Al Pacino is a walking master class. Saturday Night Fever- my mom used to live near where they filmed that movie, and I love the Bee Gees. Pulp Fiction- pure high-octane creative freedom at its finest. Everything Everything- it’s such a sweet film and I love the scene at the ocean. It has a vitality and fearlessness that really perks me up. Midnight In Paris- it came out two years after I had made a documentary on the Grand Era of Paris and it brought back all the great memories I had of my first time being there. The Artist- an homage to the films that I love made in the form of yet another film that I absolutely love. So inspiring! Oh! And, I know it’s not a film, but I really enjoyed the limited series’ “Hollywood”, “Defending Jacob”, and “Truth Be Told”. I’ll stop now. But there are definitely more.

If you could work with anyone in the world, who would that person be?

The thing that I love most in films is extensive, one-shot scenes where the actors just go for it, unleash their freedom, and do something so unexpected that the audience just sits in awe and loves it. I want to work with people who I know I can bring something unexpected out of so that they can surprise audiences and perhaps even surprise themselves. I’ve had to be my own casting director in the past, and it has made me more discerning as a director. I know to push. I know there is always something more to a character that the actor can bring out. That is why the actor is hired. You have them. They have the character. The character has the situation. Go all the way. That’s what we as actors are here for- to be. And that is why we as directors should always be good to our actors and never lead them to be things that are harmful. All should be for the good of the actor and for the film and every decision should leave the film that much better and everyone involved satisfied and proud of their work. To raise spirits and boost morale rather than to deplete souls. It makes for a better film, a more fluid creative process, a stronger foundation of trust, and a safe environment for actors and crew alike, both interiorly and exteriorly. Basically, it comes down to: be nice- and mean it- and everyone will give the best of themselves while feeling the best about themselves. Then everyone wins- cast, crew, audiences, and viability for future projects. There are a lot of great talents out there who I would love to work with. And, for each one, when the right project comes along and they match up to it and everything comes together, I will immensely enjoy working with them all.

Tell us something most people don't know about you:

My favorite color is cerulean blue. Not just any shade of blue. It has to be cerulean. Also, my original accent- the one I grew up with- wasn’t a standard New York accent. I’d learned different words from different people with different accents. So my original accent when I spoke as a little kid was a cross of Manhattan/Brooklyn/Long Island/Pennsylvania/Boston/London/Paris/Sicily/and this random Germany/Sweden lilt that came on every once in a while. If I don’t entirely focus on what I’m saying, I am liable to sometimes confuse people with my accent, even to this day. I have to often remind myself to just pick one at a time. And I have to remind myself that Spell Check will always “correct” me when I type “colour”. 

The one person who has truly believed in you throughout your career:

My mom and dad. They never use the word “impossible”. They love me unconditionally. And they are proud of me. To me, that’s everything. To know, not just that I am me, but also to have that foundation of the fact that they love me. I am who I am and I love myself. But I am not alone. I must say, to be loved by those who you truly love- it is a truly great thing.

What was the most important lesson you had to learn as

filmmaker/actor?

Nothing is impossible. If you need something done- do it. Not even the sky is the limit. Create what doesn’t exist. Be honest in your work. Be true to yourself. When you’re right and you know it- do it. And, whenever you have a question, ask the story- it will tell you what it is.

Is it harder to get started or to keep going? What was the particular

thing that you had to conquer to do either?

When the inspiration comes, go with it. I’ve always been a self-motivator, both by nature and by necessity, in everything in my life. Starting is fun, quitting is not an option, and keeping on going is what we do every day of our lives. Love it. Go with it. I found, with “Saints”, that the most interesting thing I had to do with my cast and crew was to find a groove, a pace, a rhythm, a fearlessness, and a forward-thrusting trust in such a brief amount of time. But again, the answer is in the story itself. You’ve brought it to them. You’re all in the middle of this world which has dictated to you how it wants to behave. Now, inhabit it. And let the magic happen.

What keeps you motivated?

I love what I do. Always have. Always will. My stories are mine and are always with me. They are a part of me. I love them. And I will always do right by them.

How has your style evolved?

More. I’m a very deductive-reasoning thinker. I see the result and I work its way back to its conception. As I make more and more films, I find new and bigger ways to tell and to share my stories with the world. I’m eccentric. I know it. I embrace it. I’m always looking for a way to build on what has been done or expected and take it to places never dreamed possible. In film, there is always the opportunity for more. Seize it. Never let it go. And enjoy the ride. Let what’s inside of you surprise you. It’s limitless.

On set, the most important thing is:

Safety, which brings freedom, which brings risk-taking, which brings trust, which brings the magic, which is the essence of film.

The project(s) you’re most proud of:

This film, “The Saints of the Rue Scribe”- because it is my first feature film. All of my novels- including “The Saints of the Rue Scribe”. Cinétage and “Stagebooks”. And the fact that I was able to incorporate Cinétage and the “Stagebooks” into “Saints”. I am definitely going to do a Cinétage “homage to the Charpentiers” of the “Stagebooks”. 

The most challenging project you worked on. And why?

This film. “Saints”. Because of the sheer scope and size of its 130+ people and infinite number of parts. It was the biggest to date. To be there for everything, every one, and every moment. Everything starts and ends with you, there is no second wave and no plan B, and by the time you’ve earned every moment of the film, you’ve finished making the film. And it’s yours. I loved it! It was truly wonderful. I’m looking forward to my next one.

What are your short term and long term career goals?

Short term- my next film project. Long term- more film projects. Always sharing my stories with the world in new, creative, and unexpected ways.

Your next projects?

I want to do the Cinétage “Homage”. I want to work with as many wonderful and creative people as possible. As for my next project, I am doing an adaptation of my 2019 novel “The Anniversary.” I’ve written the screenplay and look forward to going into pre-production and getting the perfect casting. With “Everything”, the short film I made this year while editing “Saints”, I did everything and worked in the smallest possible environment. With “The Anniversary”, I am looking forward with equal joy to a fully collaborative experience in the largest possible environment. I am also looking forward to working with top-notch actors to create characters and push limits and create surprises and moments that no one would have ever expected. Every time, I go all the way. Each way is different. Each way is a joy and a thrill of an adventure. “The Anniversary”, according to the novel and the screenplay, offers the potential for a powerhouse, first-rate, gets-under-your-skin-and-you’ll-never-forget-how-great-it-was, performance for the two lead characters and a supporting character. I want to make it right. I want to make it unforgettable. I want to make my cast shine like they deserve to shine. For the actors to disappear to the point where all that is left is the characters and the film has the freedom to fly. I want us all to go all the way.

Please share with us where people can find you on social media, so our

readers could keep track of your career:

Everything is up-to-the-minute and up-to-date on www.thesaintsoftheruescribe.com. 

Tell us about your background and when did you decide to become a filmmaker?

I've alway enjoyed films, but I never considered it as a career until at the age of 18 when I got a chance to work a couple days on a film set. After seeing how everything played out behind the scenes, the ultimate organized chaos, I decided to make films my career.

Films that inspired you to become a filmmaker?

I always knew I wanted to do more than just write or direct, I wanted to make movies in any capacity. I remember seeing Avatar (2009) and how immersive of a world James Cameron created. I knew that I would never have it in me to direct something like that, but maybe someday I would be able to produce some as ambitious.

Who is your biggest influence?

I would say my biggest influence is Tony and Ridley Scott. They both have an incredible mastery of creating striking visuals - no matter the genre or which Director of Photography they use, the films are distinctly theirs. And of course I have to mention Ridley's ability to create atmosphere and believable worlds.

What were some of the challenges you had to face in making your films?

The story is always the hardest. There are too many avenues to take when it comes to encapsulating a thesis. Deciding on the direction of the story, its time, place, characters, genre, the infinite possibilities consume a great deal of time before it becomes clear on what paths need to be taken.

Do you have a favorite genre to work in? Why is it your favorite?

I enjoy films that explore bravery, honor, and personal sacrifice – something that most often falls within the swashbuckling genre, I'm thinking anything that involves swords. Films such as Braveheart (1995), Gladiator (2000), Troy (2004), Kingdom of Heaven (2005), etc. are the simplest way to showcase the mentioned themes. The distinction between good and evil, the contrast between the two, is usually more prominent in said genres.

What’s your all-time favorite movie and why?

Probably Braveheart (1995). Everything from the cast, to James Horner's moving score, Mel Gibson's precise use of slow-motion, to the films themes. It's phenomenal filmmaking. Minus the mullets and historical inaccuracies of course...

If you could work with anyone in the world, who would that person be?

Joseph Campbell, the man who synthesized the Hero's journey. With him, developing any story or character would be an insightful endeavour as that man was a walking library filled with all the ancient stories and myths. 

Tell us something most people don't know about you.

I think that The Thin Red Line (1998) is a better war movie than Saving Private Ryan (1998).

The one person who has truly believed in you throughout your career.

It would have to be my best friend from college, Mike Kaney. He has always held me to the highest standard and had the highest of hope for any of my endeavours. 

What was the most important lesson you had to learn as  filmmaker?

People don't care about your project as much as you do. When you are in an above the line position it's easy to think that everyone on the crew cares as much about your project as you do, but the sad reality is that mostly it's just a paycheck for people. Once you have that in mind you are in a better position to make judgment calls that positively affect the crew.

Is it harder to get started or to keep going? What was the particular thing that you had to conquer to do either?

It's always harder to keep going as that requires more sacrifice and time. Biggest thing to conquer is your ego and value humble beginnings, no matter how long you have to stay humble. 

What keeps you motivated?

I love telling stories, so the possibility of making a film is enough motivation for me.

How has your style evolved?

I've become more and more fond of longer takes and longer lenses. It used to be whatever works as I presume that's how most people start. But now I want to enjoy the moments/scenes and at the same time squeeze everything in frame.

On set, the most important thing is:

Staying calm. More things fall apart the quicker you move through your thoughts.

The project(s) you’re most proud of:

I had the opportunity to produce a film in the summer of 2019, titled His Only Son, which is currently in post. So far this is my proudest achievement as a filmmaker.

The most challenging project you worked on. And why?

Probably His Only Son, changing of hats (swath of responsibilities), remote locations, and severe lack of sleep – I might have been the sole cause of Red Bull's revenue spike for the two months of production of the film.

What are your short term and long term career goals?

Short term is to finalize His Only Son and wrap up one of the documentaries I'm working on.

Your next projects?

Currently have 3 narrative projects in development. One period piece and two contemporary stories. And also have two documentaries in production both of which tackle personal hardships.

 Tell us about your background and when did you decide to become a filmmaker?

I was born in New York City and lived in Brooklyn with my mom who is an actress and a writer and my dad who is an Italian musician from Rome and my Nonno up the street. I started making paintings when I was about 2. Now I live in LA and I started acting. I decided to become a filmmaker when the quarantine happened I woke my mom up in the middle of the night and asked her if I could take a filmmaking class. It’s because I love movies so much and have so many ideas. The next day I called her friend the director Tony Kaye and he taught me how to be a filmmaker and a director. He told me to watch Lawrence of Arabia and 2001 by Stanley Kubrick. I did. The same day I wrote a script about a bird which is Bird and the Wild and then I filmed it.

Films that inspired you to become a filmmaker?

The films that inspired me are all the Pixar films… Frozen Two is the best and also Doolittle, Sonic, Chronicles of Narnia, the book of Lord of the Rings that my mom reads me, all makes me want to be a director. 

Who is your biggest influence? 

I have a lot of them. It’s books and films. The ideas I get from going in nature and the city.

What were some of the challenges you had to face in making your films? 

I have so many big ideas for films that thousands of people and I have to find a way to make them.

Do you have a favorite genre to work in? Why is it your favorite?

My favorite genre is action, adventure, comedy and fantasy. I love action and adventure movies they make me happy and feel good because I love all the characters, costumes and creativity.

What’s your all-time favorite movie and why?

My favorite movie of all times is lots of them and it's so hard to answer. I would say Frozen 2. Because it has a lot of action and adventure in it and the best characters and I love all the music. And Olaf is so funny in the movie.

If you could work with anyone in the world, who would that person be?

I want to work with Tony Kaye, also the director of Ratatouille, Guillermo Del Toro, Martin Scorsese, Joaquin Phoenix and the director of Lord of the Rings. Peter Jackson.

Tell us something most people don't know about you.

Most people don’t know that I’m really good at math, science, Legos, reading, writing, dancing and dribbling a soccer ball. I’m especially good at writing my own songs.

The one person who has truly believed in you throughout your career.

My mom is the one person who has believed in me. Also my Nonno.

What was the most important lesson you had to learn as filmmaker?

I’m learning green screen now. It’s a lot of focus even to do some of the credits. It’s a lot of work to write the script, filming it and editing it. Scripts I can write pretty fast but sometimes I am working all day just on credits. 

Is it harder to get started or to keep going? What was the particular thing that you had to conquer to do either?

Might be a bit harder to finish my ideas cause then if it’s a feature film it could be harder to get a lot of ideas. In Bird in the Wild and The Wishing Fountain there weren’t that many hard parts. In The Wishing Fountain the days that we were filming there was a bit of sun so I couldn’t look at the fountain, and the fountain was the shot so it was hard to get the shot.

What keeps you motivated?

The thought of seeing my movie on a big screen! The fun of it keeps motivated.

How has your style evolved?

I want to make movies in all styles. Right now I’m working on a documentary about Los Angeles. I learn about styles every movie I make and by watching them. Having a new iPhone 11 to use now changes the style because the lense is clearer.

On set, the most important thing is:

The most important thing is the lighting. And that everybody is collaborating. It’s important that you have fun filming. 

The project(s) you’re most proud of: 

The project I’m most proud of is in my opinion Bird in the Wild because it was my first. Then I have The Wishing Fountain and the one I’m doing now. I’m also proud that I wrote a 20 page script. And I’m doing editing on I-movie all by myself.

The most challenging project you worked on. And why?

The most challenging project is the one I’m doing now about LA. I have to get shots from the moving car a lot and film homeless people even though I don’t want to.

What are your short term and long term career goals?

Short term I am a filmmaker and a director and I am that long term too. Right now I want to finish 3 scripts I’ve written. I want to be a writer and an actor. I want to have lots of animals. I’m building two film companies. Their names are Doozie Productions and Walt Doozie. I want also to do animation films.  I want to edit films and make lots of my own music. And travel.

Your next projects?

My next projects are a documentary about LA, and a series of Doozie films which are also books. I’m also writing a screenplay with my mom that will take place in Italy.