Who's your biggest fan?
Throughout my life, I have been accompanied by those who have loved my work, always very many, and that has made me very happy. I am particularly happy that recently I have been considered a master by many young people. When time goes by and young people accept you and love you - that is the real joy.
What brings you inspiration the most?
Many things. I'm usually interested in historical topics, those that are still relevant today. To show that there have always been situations in history that are problems of today. And so it's easier to find solutions.
Which actor or director would you like to work with?
I always direct my plays and films myself. I like it when a director from another country does the work, but for me writing and directing is a process. It's called a creative film. I am happy to work with any talented actor. In Hungary, in my country, I am famous for discovering new actors that the audience didn't know before. And every such discovery is a great pleasure.
Have you ever seen a film that was better than the book?
No. I've seen people say that the book was great and the director messed it up. As I teach screenwriting at university, I know of many such examples. I don't believe that you can make a good film from a bad script.
What’s the movie that taught you the most?
I had a wonderful youth, because even in my high school years, Hungarian cinemas only showed the best Italian, French, English or American films. Back then, it was not all about worthless, clichéd films. The first film that determined my later career was Bob Fosse’s ALL THAT JAZZ, and later on FORREST GUMP made the biggest impression on me. And of course the great Hungarian films. In them there is comedy and tragedy, irony and drama at the same time. That’s the way of our times, tragicomedy. That is why these films are still valid today.
About your artistic career, have you ever had the desire to quit everything?
Never. Why would you? Many people like me, they are waiting for my new works. I don't have time to think about it.
On set what excites yuo the most?
How does the acting, the cinematography, the lighting match what I had in mind when I wrote the script. What I felt when I was writing it. To get the same experience back on the set.
And what scares you the most ?
I'm not the fearful type. I don't remember ever having to be afraid of anything. To doubt it, yes, you have to doubt it until it happens. But doubt is one of the most important elements of artistic work. But when you are a director, you must never let others sense your doubts. They need to see that you are leading them with a steady hand in the right direction.