What's the absolutely necessary ingredient to be a good actor/director/screenwriter?

Empathy. It’s the key to stepping into someone else’s shoes and creating authentic, meaningful stories.

First and last cinematographic crush?

Pan’s Labyrinth. Its seamless blend of fantasy and history captivated me, and it continues to be a profound inspiration.

How old were you when you decided you wanted to be an actor/director/screenwriter?

I was 14, just starting middle school. I fell in love with history, psychology, and literature. Later in college, I realized directing combines all those passions into one incredible art form.

For you, a film is...

A journey into worlds we can’t experience in real life. It’s an exploration of the impossible.

What do you feel when you're acting/directing/writing?

It feels like traveling to another place as another person. I’m living with my characters and seeing the world through their eyes.

You can go to the movies with an actor/director/screenwriter you love. What kind of movie do you choose, and with whom?

I’d attend Cristian Mungiu’s graduation screening with Ang Lee. Mungiu’s films are rich with nuance and moral ambiguity, while Ang Lee has been a lifelong inspiration for his ability to transcend cultural boundaries. Watching Ang Lee interpret Mungiu’s storytelling would feel like witnessing a conversation between two brilliant minds—an unforgettable meeting of creative genius.

Audrey Hepburn used to say, "Nothing is impossible." What do you think?

I agree. You never know what you’re capable of until you try.

Can you live just off your passion?

Passion drives long-term fulfillment, but it’s important to take care of yourself emotionally and physically along the way. Some compromises are necessary to sustain the journey.

What's more important: talent or luck?

Neither. Attitude and hard work matter most. With the right mindset and persistence, luck finds you, and talent grows over time.

You must go to a desert island but can only bring one movie. Which one?

Gone with the Wind. 

Have you ever accepted a project you didn’t like?

Yes. Filmmaking is a collaborative and evolving process. Even if the initial concept doesn’t resonate, there’s always an opportunity to shape it into something meaningful.

What's the best compliment you've received about your job?

That my work is emotionally resonant, with nuanced and layered performances.

Are you satisfied with your career?

So far, yes. I’ve been fortunate to meet amazing collaborators and mentors who’ve helped me refine my craft at every step.

Do you have a good luck charm?

A Monsters, Inc. cup—it’s been with me since college. It reminds me to "stay hungry, stay foolish," and to keep a childlike curiosity and imagination when telling stories.

What’s the worst moment on set?

When there’s miscommunication with the production service. It’s crucial for the creative and logistical teams to stay aligned, as the line producer’s role is the backbone of a smooth shoot.

How do you feel when a project ends?

When my first feature wrapped, it was bittersweet sending everyone off at the airport. After three months together, it felt like saying goodbye to family.

Have you ever lied to get a part or job?

Never. Honesty and authenticity build trust, and that’s crucial in this industry.

If you won an Oscar, who would your first thought go to?

My mentors in animation. They taught me the art of storytelling in a professional environment and shaped my journey.